A RARE FAMILLE ROSE FIGURE OF WHITE TARA
PROPERTY FROM THE MARGARET LOEB KEMPNER ESTATE
A RARE FAMILLE ROSE FIGURE OF WHITE TARA

QIANLONG PERIOD (1736-1795)

Details
A RARE FAMILLE ROSE FIGURE OF WHITE TARA
Qianlong period (1736-1795)
Shown seated in padmasana atop a double lotus base with each hand holding the end of a peony stem that rises to the shoulders, wearing an orange dhoti folded over at the waist, a blue shawl and a five-leaf crown tied below a globular topknot decorated with a gold ornament, with an eye finely molded in the center of the forehead, hands and feet, the interior of the pedestal base and a small removable circular medallion in its center covered in a turquoise glaze
11 13/16in. (30 cm.) high

Lot Essay

Venerated in all traditions of Tibetan Buddhism, White Tara, the bodhisattva of Longevity, is traditionally depicted with seven eyes: an eye in the palm of each hand and foot, and an additional eye on her forehead.

The adoration of brightly colored deities has a long tradition in Tibetan Buddhism and the wide color range available in the famille rose palette made porcelain an ideal medium to create such Buddhist figures. It is, however, probably due to the complicated modelling and repeated firing necessary to achieve such figures, that they remained very rare, and it is likely they were used mainly in the temples of the imperial palace precincts.

A related famille rose figure of a seated bodhisattva, reputed to have come from the Imperial Palace, was included in the Exhibition of Chinese Arts, C. T. Loo & Co., New York, 1941-42, no. 750. Compare, also, the famille rose figure of seated Avalokitesvara sold in our Hong Kong rooms, 26 - 28 October 2001, lot 606.

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