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Kubo Shunman (1757-1820)
Details
Kubo Shunman (1757-1820)
Kitagawa Utamaro (1754-1806)
Torii Kiyonaga (1752-1815)
Keisai Eisen (1790-1848)
Seven prints, the left sheet of a hexaptych composed of two triptychs entitled Mu Tamagawa (The Six Jewel Rivers), signed Shunman ga and published by Fushimiya Zenroku; the second Teizen Mutamagawa (In the garden, Six Jewel Rivers), two beauties washing cloth in a stream, signed Utamaro hitsu; the third, signed Utamaro hitsu; the fourth, Nakamura Tomijuro as a beauty carrying a bundle of wood on her head, signed Kiyonaga ga, the fifth, geese flying before the full moon, signed Keisai; together with the sixth, harimaze-e with calligraphic panels, horses, and landscape with bridge, signed Shogetsu and Ungetsu and the seventh, a deer and bat, signed Fuminobu hitsu and Chikoku hitsu--the first good impression and color; the others moderate to good impressions, some faded, worn, slightly soiled, worm holes, some with upper corners glued on verso
oban tate-e: 38.2 x 25cm., each approx. the first and fourth; hosoban: 30 x 13.5cm. the second; chuban tate-e: 24 x 17cm., each approx. the third and sixth; chuban yoko-e: 17.5 x 23.5cm., the fifth and seventh (7)
Kitagawa Utamaro (1754-1806)
Torii Kiyonaga (1752-1815)
Keisai Eisen (1790-1848)
Seven prints, the left sheet of a hexaptych composed of two triptychs entitled Mu Tamagawa (The Six Jewel Rivers), signed Shunman ga and published by Fushimiya Zenroku; the second Teizen Mutamagawa (In the garden, Six Jewel Rivers), two beauties washing cloth in a stream, signed Utamaro hitsu; the third, signed Utamaro hitsu; the fourth, Nakamura Tomijuro as a beauty carrying a bundle of wood on her head, signed Kiyonaga ga, the fifth, geese flying before the full moon, signed Keisai; together with the sixth, harimaze-e with calligraphic panels, horses, and landscape with bridge, signed Shogetsu and Ungetsu and the seventh, a deer and bat, signed Fuminobu hitsu and Chikoku hitsu--the first good impression and color; the others moderate to good impressions, some faded, worn, slightly soiled, worm holes, some with upper corners glued on verso
oban tate-e: 38.2 x 25cm., each approx. the first and fourth; hosoban: 30 x 13.5cm. the second; chuban tate-e: 24 x 17cm., each approx. the third and sixth; chuban yoko-e: 17.5 x 23.5cm., the fifth and seventh (7)