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Haru (Spring), [1934-41] Enshu Arai-cho (Arai-cho, Totomi Province), from the series Tokaido fukei senshu (Selected Tokaido landscapes), 1931.8 Tsuchiura no asa (Morning in Tsuchiura), 1931.9 Towada Nenokuchi (Nenokuchi, Towada), from the series Nihon fukei shu higashi Nihon hen (Collection of scenic views of Japan: Eastern Japan), 1933.7 Nara no ame (Kofukuji no to) (Rain in Nara [The pagoda of Kofuku Temple]), 1951
Details
Kawase Hasui (1883-1957)
Haru (Spring), [1934-41]
Enshu Arai-cho (Arai-cho, Totomi Province), from the series Tokaido fukei senshu (Selected Tokaido landscapes), 1931.8
Tsuchiura no asa (Morning in Tsuchiura), 1931.9
Towada Nenokuchi (Nenokuchi, Towada), from the series Nihon fukei shu higashi Nihon hen (Collection of scenic views of Japan: Eastern Japan), 1933.7
Nara no ame (Kofukuji no to) (Rain in Nara [The pagoda of Kofuku Temple]), 1951
Woodcuts, each signed Hasui, sealed Kawase and published by Watanabe Shozaburo--generally very good impressions, color and condition, mica ground and gauffrage on first
39.6 x 27.7cm. each approx. (5)
Haru (Spring), [1934-41]
Enshu Arai-cho (Arai-cho, Totomi Province), from the series Tokaido fukei senshu (Selected Tokaido landscapes), 1931.8
Tsuchiura no asa (Morning in Tsuchiura), 1931.9
Towada Nenokuchi (Nenokuchi, Towada), from the series Nihon fukei shu higashi Nihon hen (Collection of scenic views of Japan: Eastern Japan), 1933.7
Nara no ame (Kofukuji no to) (Rain in Nara [The pagoda of Kofuku Temple]), 1951
Woodcuts, each signed Hasui, sealed Kawase and published by Watanabe Shozaburo--generally very good impressions, color and condition, mica ground and gauffrage on first
39.6 x 27.7cm. each approx. (5)