BERND AND HILLA BECHER (BORN 1931)
BERND AND HILLA BECHER (BORN 1931)

Industriebauten: 10 Fotografien von Bernd und Hilla Becher

Details
BERND AND HILLA BECHER (BORN 1931)
Industriebauten: 10 Fotografien von Bernd und Hilla Becher
Munich: Städtischen Museum Mönchengladbach, 1968. 10 gelatin silver prints. 1968. Each with copyright credit stamp on the verso. Each 7 5/8 x 6 1/8in. (19.3 x 15.5cm.), or the reverse. Booklet with title page, numbered 9 in an unknown hand in ink; biographical notes and text in German by Johannes Cladders. Number 9 of an edition of 55. In original, quarto Agfa-Gaevart card box with printed credit and title labels affixed to the lid and spine.
Literature
See: Bernd and Hilla Becher, Anonyme Skulpturen: A Typography of Technical Constructions, for reproductions of many of the images.

Lot Essay

From 1967-1968, the Städtisches Museum Mönchengladbach held a series of 34 exhibitions featuring the work of a number of avant-garde, contemporary artists. Each was accompanied by a catalogue, in a printed cardboard or plastic box, often personalized by the artist in some appropriate manner - felt in the Joseph Beuys box, for example. By so doing, these box-catalogues became "multiples" rather than typical museum catalogues.
An exhibition of Bernd and Hilla Becher's Industriebauten was the third in the series and, in keeping with its spirit, the accompanying card catalogue-box was a facsimile Agfa-Gaevert photographic paper container. The Becher box-catalogue, an early series in their career, was produced in an edition of only 55 rather than the more typical 220, 330, 440, 550 or 660 of the other catalogues. Each set contained ten photographs of the Bechers' "anonymous sculpture", images of winding towers, silos, gas tanks and lime-kilns, each taken in their now-familiar stark documentary style. These images not only invite a comparison of the morphological differences of buildings fulfilling the same function, but also provide archeological evidence of an industrial landscape which, by its very nature, is ephemeral.

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