A PAIR OF NORTH EUROPEAN FRENCH-PLATED AND ORMOLU EWERS
A PAIR OF NORTH EUROPEAN FRENCH-PLATED AND ORMOLU EWERS

FIRST HALF 19TH CENTURY, AFTER SIGISBERT-FRANÇOIS MICHEL (1728-1811)

Details
A PAIR OF NORTH EUROPEAN FRENCH-PLATED AND ORMOLU EWERS
First half 19th Century, after Sigisbert-François Michel (1728-1811)
Of Renaissance style, depicting 'water' and 'wine', one with a merman figure with arms clasped around the neck and holding onto a dolphin suspending bullrush swags, the other with a satyr figure clasping a goat's head and suspending grapevines, both with leafy calyx, on a beaded and laurel cast socle and square beaded base, stamped with numbers 00 overall, with inscribed paper label '1029/2'
14½in. (37cm.) high (2)

Lot Essay

In 1774 Sigisbert François Michel exhibited a pair of plaster ewers sumounted by a triton and a satyr in the Académie de Saint-Luc, Paris. This prototype was later the basis for a number of subsequent ewers in malachite (a pair of which can be seen in the Wallace Collection, London), biscuit porcelain (with a pair in the Musée d'Orléans) and bronze (with a pair in the Musée de Nissim Camondo, Paris). Wedgwood versions in basalt and jasperware could also be found in England after 1775 when John Flaxman Sr. presented Josiah Wedgwood with a plaster model based on Michel's original model- the former version of which can be seen in the Wedgwood Museum, Barlaston.

French Plating, a process closely related to Close Plating, was used by French platers from the early 18th century. The process involved affixing to the article up to 60 layers of silver leaf by heating the object and applying heavy pressure after each layer was applied. The process ceased to be used after circa 1842 when electroplating was developed.

More from Important European Furniture, Works of Art, Porcelain,

View All
View All