William Henry Hunt, O.W.S. (1790-1864)
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William Henry Hunt, O.W.S. (1790-1864)

The Eavesdropper

Details
William Henry Hunt, O.W.S. (1790-1864)
The Eavesdropper
with inscription and number '12./The Eavesdropper./William Hunt' (on a label attached to the backboard)
pencil, watercolour and bodycolour, with gum arabic and with scratching out
29 5/8 x 21½ in. (75.3 x 54.6 cm.)
Provenance
with Agnew's, London.
The Quilter Collection; Christie's, London, 9 April 1875, lot 229, unsold and by descent in the family.
Literature
E.T. Cook and A. Wedderburn, Library Edition of the Works of John Ruskin, 1904, vol. XIV, pp. 373-84 and 440-54.
H. Quilter, Preferences in Art, p. 182, illustrated p. 177.
J. Witt, William Henry Hunt (1790-1864) Life and Work with a Catalogue, London, 1982, pp. 254-5.
Exhibited
London, Fine Art Society, Exhibition of Prout and Hunt, 1879-80, no. 121 as 'Mr Quilter's Stable Boy'.
Special notice
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Lot Essay

The present watercolour is included in Ruskin's exhibition of Prout and Hunt at the Fine Art Society in 1879, where it is referred to by Ruskin as Mr Quilter's Stable Boy. Ruskin considered this type of watercolour as amongst the highest class of Hunt's work, 'Drawings illustrative of rural life in its vivacity and purity, without the slightest endeavour at idealisation ... All drawings belonging to this class are virtually faultless, and most of them very beautiful.' In addition Quilter op.cit. states, 'I remember Sir Frederick Burton saying many years ago to my father-perhaps in a fit of generous enthusiasm-that this is the finest water-colour in the world.'

During the late 1830s Hunt executed a series of works of barn interiors and outhouses. Hunt executed a watercolour of a similar interior with his wife as the model, entitled The Outhouse, (Fitzwilliam Museum, Cambridge) dated 1838 and illustrated in J. Witt, op.cit., p. 173, no. 321, pl. 15.

A similar watercolour showing a girl in a barn interior was sold Sotheby's, London, 10 April 1997, lot 113 (£51,000).

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