Tom Wesselmann (b. 1931)
Tom Wesselmann (b. 1931)

Smoker #6 (previously titled as Mouth #20)

Details
Tom Wesselmann (b. 1931)
Smoker #6 (previously titled as Mouth #20)
signed, titled and dated twice 'SMOKER #6 (MOUTH #20) 1967-69 Wesselmann 1969' (on the stretcher)
oil on shaped canvas
42 x 66¾ in. (106.7 x 169.5 cm.)
Painted in 1967-1969.
Provenance
Sidney Janis Gallery, New York
Acquired from the above by the present owner, 1969
Exhibited
New York, Sidney Janis Gallery, New Work by Tom Wesselmann, April-May 1970, no. 4 (illustrated).

Lot Essay

Beginning in the middle 1960s, Wesselmann begins his iconic series of Mouths and Smokers, all large scale, confrontational and startlingly close-up. The Smoker series as exemplified in Smoker #6 are exquisitely shaped canvases giving them a sculptural presence as well as a hand-painted Pop surface. Smoker #6 is a large-scale detail of a sensual female mouth; a cigarette perched in the corner, with a white puff of ethereal smoke rising upward. The painted surface has bright, colorful and graphic quality of a billboard, as if the details were painted to been seen clearly from afar.

Using the sexiness of the pert, pink lips Wesselmann engages his talent for erotic depictions. A part of the body, the lips, serves as a stand in for the whole, and the idea of smoking can be transferred to other complementary acts. The mouth bares a striking resemblance to those infamous puckered lips of Marilyn Monroe, whose sex appeal Wesselmann, like Warhol, obviously admired.


Andy Warhol, Marilyn Monroe's Lips, 1962 c 2003 Andy Warhol Foundation for the Visual Arts/ARS, New York

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