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Céphale enlevé par L'Aurore; and [Jupiter and Io]
Details
LAURENT CARS (1699-1771), AFTER FRANCOIS LE MOINE (1688-1737)
Céphale enlevé par L'Aurore; and [Jupiter and Io]
two engravings, 1723, on laid papers, published by Chés l'Auteau, Paris, both trimmed to the platemark, pale light-staining, minor surface soiling mostly at the extreme sheet edges and on the reverse, occasional very pale foxing, a few soft, unobtrusive creases at the sheet corners, otherwise both in very good condition, both in gilt frames; and JEAN-LOUIS ANSELIN (1754-1823), AFTER ANTOINE BOREL (1743-1810), Vous avez la clef...mais il a Trouvé la Serrure-- engraving, circa 1770, on laid paper, published by Depeüille, Paris, trimmed to the platemark, pale time staining, minor surface soiling, a small repaired tear at the center of the left sheet edge extending slightly into the image, otherwise apparently in very good condition, in a gilt frame, not examined out of the frame; and JOHANN ANDREAS PFEFFEL (1674-1748), AFTER JOSEPH GALI BIBIENA (1696-1756), [Stage Design of an Open Square of an Obelisk bordered by Classical Buildings]-- engraving, circa 1725, on laid paper, with narrow margins or trimmed to just outside the platemark, pale time staining, minor surface soiling mostly at the margin edges, otherwise apparently in very good condition, in a gilt frame, not examined out of the frame; and RENE GAILLARD (1719-1790), AFTER JEAN-BAPTISTE GREUZE (1725-1805), La Femme Colere-- engraving, circa 1770, on laid paper, presumably with margins, occasional minor surface soiling, several unobtrusive soft handling creases, otherwise apparently in very good condition, in a gilt and ebony frame with fleur-de-lis corners, not examined out of the frame
various sizes (5)
Céphale enlevé par L'Aurore; and [Jupiter and Io]
two engravings, 1723, on laid papers, published by Chés l'Auteau, Paris, both trimmed to the platemark, pale light-staining, minor surface soiling mostly at the extreme sheet edges and on the reverse, occasional very pale foxing, a few soft, unobtrusive creases at the sheet corners, otherwise both in very good condition, both in gilt frames; and JEAN-LOUIS ANSELIN (1754-1823), AFTER ANTOINE BOREL (1743-1810), Vous avez la clef...mais il a Trouvé la Serrure-- engraving, circa 1770, on laid paper, published by Depeüille, Paris, trimmed to the platemark, pale time staining, minor surface soiling, a small repaired tear at the center of the left sheet edge extending slightly into the image, otherwise apparently in very good condition, in a gilt frame, not examined out of the frame; and JOHANN ANDREAS PFEFFEL (1674-1748), AFTER JOSEPH GALI BIBIENA (1696-1756), [Stage Design of an Open Square of an Obelisk bordered by Classical Buildings]-- engraving, circa 1725, on laid paper, with narrow margins or trimmed to just outside the platemark, pale time staining, minor surface soiling mostly at the margin edges, otherwise apparently in very good condition, in a gilt frame, not examined out of the frame; and RENE GAILLARD (1719-1790), AFTER JEAN-BAPTISTE GREUZE (1725-1805), La Femme Colere-- engraving, circa 1770, on laid paper, presumably with margins, occasional minor surface soiling, several unobtrusive soft handling creases, otherwise apparently in very good condition, in a gilt and ebony frame with fleur-de-lis corners, not examined out of the frame
various sizes (5)
Special notice
This lot is offered without reserve.