Lot Essay
William Graham's attribution of this idiosyncratic picture to the Dalmatian master, Giorgio Schiavone, or Cùlinovic, was presumably suggested by parallels with the signed polyptych from the Dennistoun and Beaucousin collections which was acquired with the latter by the National Gallery, London in 1860.
Graham, who was a major patron of Burne-Jones and Rossetti, assembled a very remarkable group of early Italian pictures. On his death the collection was sold, over five days, at Christie's: a substantial number of pictures were bought by Agnew's on behalf of Graham's daughters. For a comprehensive study and catalogue see Garnett, op. cit.
Graham, who was a major patron of Burne-Jones and Rossetti, assembled a very remarkable group of early Italian pictures. On his death the collection was sold, over five days, at Christie's: a substantial number of pictures were bought by Agnew's on behalf of Graham's daughters. For a comprehensive study and catalogue see Garnett, op. cit.