A SILVER AND ENAMEL AND GLASS CONDIMENT JAR WITH SPOON
The Saturday Evening Girls' Club ceramic decorators at the Paul Revere Pottery, circa 1910, illustrated in M. D. Meyer, Inspiring Boston's Arts and Crafts Movement, 1997, p. 64 THE WILLIAM HILL LAND AND CATTLE COMPANY COLLECTION OF AMERICAN ARTS AND CRAFTS SILVER (LOTS 35-84)
A SILVER AND ENAMEL AND GLASS CONDIMENT JAR WITH SPOON

MARK OF REBECCA CAUMAN, BOSTON, CIRCA 1920

Details
A SILVER AND ENAMEL AND GLASS CONDIMENT JAR WITH SPOON
MARK OF REBECCA CAUMAN, BOSTON, CIRCA 1920
Circular, the green glass bowl with circular prunts, the silver cover centering a black enamel boss with an orange fruit wreath, in orange, green and sepia enamel on foil backing, the silver ladle with oval enamel boss with conforming decoration, marked under cover of bowl and reverse of spoon
The cover 4½in. diameter (2)

Lot Essay

Rebecca Cauman was one of a number of female enamelers working in the Boston area around 1920. Cauman attended the Massachusetts Normal School in 1898 and may have learned enamelling skills from Laurin Hovey Martin, the foremost expert in enamelling, or from one of his students. She joined the Handicraft Shop in 1924 and submitted work to the 1927 exhibition. The gold foil backing, stylized floral enamelling, and round copper boxes typical of Cauman's work reflect Martin's style. An example of Cauman's work in copper, in the collection of the Museum of Fine Arts Boston, is illustrated in Marilee Boyd Meyer, ed., Inspiring Reform: Boston's Arts and Crafts Movement, 1997, p. 82

More from Important American Furniture, Folk Art, Silver, Prints and

View All
View All