拍品專文
This portrait of Sarah Hobbs is illustrated in Flexner's History of American Painting Volume Two: The Light of Distant Skies where he also discusses this work. Flexner states :
About 1830, the painter of Sahrah Hobbs joined the Stuart (simple) conceptions, as the primitives practiced them, with the techniques of Chinese ancestor portraits. For a plain background, he left untoched a piece of green window-shade material, using it as the Orientals used silk. In flat colors, he placed a decorative body below a facde so realistically conceived, despite the distoritions of naive vision...The result was not varnished or stretched, but kept rolled up in the Chinese manner. The only explanation of this strangely powerful portrait is the road connecting the Hobbs's New Hampshire farm with Portsmouth, whence sailors traveled around the Horn."
Sarah Hobbs is buried in the grave yard on the Hobbs family property in Effingham, New Hampshire. She died November 8, 1884 at the age of 83 years, 28 days. (born September 30, 1801).
About 1830, the painter of Sahrah Hobbs joined the Stuart (simple) conceptions, as the primitives practiced them, with the techniques of Chinese ancestor portraits. For a plain background, he left untoched a piece of green window-shade material, using it as the Orientals used silk. In flat colors, he placed a decorative body below a facde so realistically conceived, despite the distoritions of naive vision...The result was not varnished or stretched, but kept rolled up in the Chinese manner. The only explanation of this strangely powerful portrait is the road connecting the Hobbs's New Hampshire farm with Portsmouth, whence sailors traveled around the Horn."
Sarah Hobbs is buried in the grave yard on the Hobbs family property in Effingham, New Hampshire. She died November 8, 1884 at the age of 83 years, 28 days. (born September 30, 1801).