Lot Essay
'The real revelation came on a visit to Paris about the end of 1920 or Spring 1921,' wrote Nicholson in 1948, 'I remember suddenly coming on a cubist Picasso at the end of a small upstairs room in Paul Rosenberg's gallery - it must have been a 1915 ptg - it was what seemed to me then completely abstract & in the centre there was an absolutely miraculous green - v.deep, v.potent and absolutely real - in fact none of the events in one's actual life had been more real than that - & it still remains the standard by which I judge any reality in my work. It was this ptg in among all the other exciting ptgs I saw in Paris 1921-22-23 that were such an inspiration' (quoted in M. de Sausmarez (ed.), Ben Nicholson, a Studio International special, London, 1969, p. 57).