Alfred Sisley (1839-1899)
VAT rate of 5% is payable on hammer price plus bu… Read more THE PROPERTY OF A PRIVATE AMERICAN COLLECTOR
Alfred Sisley (1839-1899)

La prairie et les coteaux de Veneaux-Nadon

Details
Alfred Sisley (1839-1899)
La prairie et les coteaux de Veneaux-Nadon
signed 'Sisley' (lower left)
oil on canvas
21¼ x 28 7/8 in. (54 x 73.3 cm.)
Painted in 1881
Provenance
Galerie Durand-Ruel, Paris, by whom acquired from the artist in 1882.
Robert Sulzer, Winterthur, by whom acquired from the above on 11 October 1912 and thence by descent; sale, Christie's, London, 8 December 1999, lot 18 (£397,500).
Acquired at the above sale by the present owner.
Literature
F. Daulte, Alfred Sisley, Catalogue raisonné de l'oeuvre peint, Lausanne, 1959, no. 423 (illustrated).
Exhibited
Paris, Galeries Durand-Ruel, Sisley, February-March 1902, no. 25.
Kunstmuseum Winterthur, Der Winterthurer Privatbesitz I, 1942, no. 244.
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium
Sale room notice
Please note the Daulte catalogue raisonné number for this work is no. 423 and not as stated in the catalogue.

Lot Essay

In 1880, after receiving considerable financial support from Durand-Ruel, Sisley moved to Moret where he was to spend the rest of his life. Sisley wrote enthusiastically to Adolphe Tavernier: "It is at Moret, in this thickly wooded countryside with its tall poplars, the water of the river Loing here, so beautiful, so transparent, so changeable; at Moret my art has undoubtedly developed most... I will not really leave this little place that is so pittoresque" (quoted in R. Shone, Sisley, London, 1992, p. 123).

La prairie et les coteaux de Veneux-Nadon reflects Sisley's skill at rendering the soft colours of the blossoming meadow and the changing skies. So, too, his skill at capturing vibrant reflections in the river recall Monet's most successful landscapes of the period. "He has a similar delicacy of perception", wrote Camille Mauclair in 1912, "a similar fervour of execution. He is the painter of the great blue rivers curving towards the horizon; of blossoming orchards; of bright hills with red-roofed hamlets scattered about; he is beyond all, the painter of French skies, which he presents with admirable vivacity and facility. He has the feeling for the transparency of the atmosphere." (quoted in C. Lloyd, exh. cat. Alfred Sisley, London, 1992, p. 24).

More from IMPRESSIONIST AND MODERN ART EVENING SALE

View All
View All