Lot Essay
Cf. Franklin A.Barrett, Worcester Porcelain and Lund's Bristol (London, 1966), pl. 36.A., for the sauceboat.
THE LOWESTOFT BOWL CIRCA 1775; THE LIVERPOOL EXAMPLE CIRCA 1780, PROBABLY PENNINTON; THE SAUCEBOAT CIRCA 1755-60, UNDERGLAZE BLUE PAINTER'S MARK; THE CREAM-JUG CIRCA 1760; THE PATTY-PAN CIRCA 1770; THE CHINESE BOWL, TEACADDY AND VASE, 18TH CENTURY
Details
A Lowestoft bowl; a Liverpool bowl; a Worcester sauceboat; a Worcester cream-jug; a Lowestoft patty-pan; a Chinese bowl, teacaddy and a vase
THE LOWESTOFT BOWL CIRCA 1775; THE LIVERPOOL EXAMPLE CIRCA 1780, PROBABLY PENNINTON; THE SAUCEBOAT CIRCA 1755-60, UNDERGLAZE BLUE PAINTER'S MARK; THE CREAM-JUG CIRCA 1760; THE PATTY-PAN CIRCA 1770; THE CHINESE BOWL, TEACADDY AND VASE, 18th CENTURY
The Lowestoft bowl painted in an Imari palette with a Chinoiserie scene depicting two figures crossing a bridge before pagodas and a mountainous landscape; the Liverpool bowl printed in blue with a Chinoiserie scene depicting an Oriental fisherman seated before a lake, a crane and buildings in the distance, the reverse shows the fisherman returning home standing on a moored boat before a terrace, flowers and shrubs; the two-handled shaped-oval sauceboat moulded to the exterior with wreaths painted with vignettes of Chinoiserie scenes of fishermen, birds and stylised flowers, the interior painted with a fisherman in a punt before a pagoda and a ship in the distance; the cream-jug boldy painted with the 'Spinning Maiden' pattern, the reverse painted with a tree issuing from stylised rockwork; the Lowestoft patty-pan painted in underglaze blue with trailing flowers to the borders interspersed with insects above a well painted with a winged insect, the exterior painted with similar trailing flower-sprays and scattered insects; the Chinese bowl painted in the famille rose palette with the 'Mandarin' pattern; the Chinese teacaddy oviform in shape with a pierced gilt-scroll footrim, painted in the 'Mandarin' pattern, the vase painted in blue with tapering panels of Oriental ladies holding flowers below trailing flower-sprays
The first bowl 6 1/8 in. (15.5 cm.) diam. (8)
THE LOWESTOFT BOWL CIRCA 1775; THE LIVERPOOL EXAMPLE CIRCA 1780, PROBABLY PENNINTON; THE SAUCEBOAT CIRCA 1755-60, UNDERGLAZE BLUE PAINTER'S MARK; THE CREAM-JUG CIRCA 1760; THE PATTY-PAN CIRCA 1770; THE CHINESE BOWL, TEACADDY AND VASE, 18th CENTURY
The Lowestoft bowl painted in an Imari palette with a Chinoiserie scene depicting two figures crossing a bridge before pagodas and a mountainous landscape; the Liverpool bowl printed in blue with a Chinoiserie scene depicting an Oriental fisherman seated before a lake, a crane and buildings in the distance, the reverse shows the fisherman returning home standing on a moored boat before a terrace, flowers and shrubs; the two-handled shaped-oval sauceboat moulded to the exterior with wreaths painted with vignettes of Chinoiserie scenes of fishermen, birds and stylised flowers, the interior painted with a fisherman in a punt before a pagoda and a ship in the distance; the cream-jug boldy painted with the 'Spinning Maiden' pattern, the reverse painted with a tree issuing from stylised rockwork; the Lowestoft patty-pan painted in underglaze blue with trailing flowers to the borders interspersed with insects above a well painted with a winged insect, the exterior painted with similar trailing flower-sprays and scattered insects; the Chinese bowl painted in the famille rose palette with the 'Mandarin' pattern; the Chinese teacaddy oviform in shape with a pierced gilt-scroll footrim, painted in the 'Mandarin' pattern, the vase painted in blue with tapering panels of Oriental ladies holding flowers below trailing flower-sprays
The first bowl 6 1/8 in. (15.5 cm.) diam. (8)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis