A fine Italian scagliola tabletop on carved walnut base
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A fine Italian scagliola tabletop on carved walnut base

POSSIBLY BY MICHELANGELO BARBERI, MID-19TH CENTURY

Details
A fine Italian scagliola tabletop on carved walnut base
Possibly by Michelangelo Barberi, Mid-19th Century
The circular top decorated to the centre with a view of St. Peter's Square, Rome, surrounded by eight further views, depicting the Rivera di Chiaia, Naples, with Vesuvius in the background, the aquaduct, the church of S. Rosalia, Palermo, the Piazza S. Marco, Venice, the Basilica di Superga, Turin, the leaning tower of Pisa, the harbour, Genoa and the Piazza del Duomo, Milan, supported on a triple dolphin-form carved column and feet
29½ in. (75 cm.) high; 40 in. (102 cm.) diameter
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

By repute, it is believed that this table is one of a pair, the other of which was at one time at Warwick Castle, but whose present whereabouts is unknown. The pair of tables was exhibited in 1851 at the Great Exhibition in London and were purchased by the Italian Consul General in Liverpool following the exhibition.

'Scagliola' is a technique of inlaying marble powders and pigments into a routed marble surface producing a look resembling a painting. Michelangelo Barberi was renowned as one of the most celebrated Roman micro-mosaic and scagliola artists of the first half of the 19th century. In 1817, he left Rome for Moscow where he received commissions from Princess Volkonski, later opening up a workshop under her patronage. On a subsequent return journey to Russia, he was received in St Petersburg by Tsar Nicholas I who later asked him to help set up and advise a school of micro-mosaic artists based on that in the Vatican. In 1851, he participated in the Crystal Palace Great Exhibition where he received first prize for a mosaic panel entitled Il Bel Cielo, a second example of a composition he had already executed for the Tsar. In celebration of his achievements, in 1856 he issued a catalogue of his work entitled 'Alcuni mosaici usciti dallo studio del Cav. Michel'Angelo Barberi'

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