LATE 19TH CENTURY, THE FIRST WITH IMPRESSED G M MARK, THE GERMAN TAZZA WITH IMITATION BLUE CROSSED SWORDS MARK AND IMPRESSED NUMERAL
Details
A Paris vase, another painted with roses, and a German tazza
LATE 19TH CENTURY, THE FIRST WITH IMPRESSED G M MARK, THE GERMAN TAZZA WITH IMITATION BLUE CROSSED SWORDS MARK AND IMPRESSED NUMERAL
The first of waisted form, moulded and richly-gilt with trailing branches of leaves, painted with a central cartouche of garden flowers and foliage, the reverse gilt with gilt cell-pattern and hanging foliage; the second vase of baluster form, painted with trailing pink roses tied with a hanging blue ribbon below an everted neck, within gilt-rims; the third, with an interior painted with a band of pink roses below a pierced rim applied with trailing branches of pink roses, standing on an acanthus-moulded tripod base with richly-gilt paw-feet on a pedestal base
17¼ in. (43¾ cm.) high (3)
LATE 19TH CENTURY, THE FIRST WITH IMPRESSED G M MARK, THE GERMAN TAZZA WITH IMITATION BLUE CROSSED SWORDS MARK AND IMPRESSED NUMERAL
The first of waisted form, moulded and richly-gilt with trailing branches of leaves, painted with a central cartouche of garden flowers and foliage, the reverse gilt with gilt cell-pattern and hanging foliage; the second vase of baluster form, painted with trailing pink roses tied with a hanging blue ribbon below an everted neck, within gilt-rims; the third, with an interior painted with a band of pink roses below a pierced rim applied with trailing branches of pink roses, standing on an acanthus-moulded tripod base with richly-gilt paw-feet on a pedestal base
17¼ in. (43¾ cm.) high (3)
Special notice
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