Details
THREE JADE PENDANTS
One a curved pendant, xi, tapering to a sharp point and finely carved in openwork at one end with a dragon, now opaque and of buff color; another a greyish-green openwork pendant carved on both sides as a central dragon mask enclosed by its own bifurcated body, with small appendages extending from the sides, the curved section below with three curved panels of fine cross-hatching; the third a pale greenish-white jade thick huang finely carved on both sides with comma spirals between dragon heads at each end
3¾, 1 7/8 and 5 1/8 in. (9.5, 4.8 and 13 cm.) wide (3)
Provenance
Xi: C.T. Loo, New York.
The Frederick M. Mayer Collection of Chinese Art; Christie's, London, 24-25 June 1974, lot 179.
Openwork dragon pendant: Alfred Salmony.
The Frederick M. Mayer Collection of Chinese Art; Christie's, London, 24-25 June 1974, lot 185.
Acquired in October 1974.
Literature
Openwork dragon pendant: W.C. White, Tombs of Old Lo-yang, Shanghai, 1934, fig. 318.
A. Salmony, Carved Jade of Ancient China, Chinese Jade Through the Wei Dynasty, New York, 1963, pl. XXII (3).
Na Zhiliang, ed., Yuqi Cidian (Dictionary of Chinese Jade), Wenwen Chubanshe, 1982, p. 56, no. 349.
Exhibited
Xi: West Palm Beach, Florida, Norton Gallery of Art, C.T. Loo, An Exhibition of Chinese Archaic Jades, 20 January-1 March 1950, pl. LIII (no. 9).
Openwork dragon pendant: Stanford, California, Stanford University Museum, Arts of the Chou Dynasty, 21 February-28 March 1958, no. 76.

Lot Essay

The xi, often known in the West as a knot-opener, is very similar to one illustrated by d'Argencé, Chinese Jades in The Avery Brundage Collection, Asian Art Museum of San Francisco, 1977, pl. XV (left), where it is dated late Warring States/Western Han, circa 3rd century BC. It was also included in the O.C.S. exhibition, Chinese Jade throughout the ages, Victoria and Albert Museum, London, 1 May-22 June 1975, no. 128, where it is dated Han dynasty, 3rd-2nd century BC.

The greyish-green jade mask pendant is quite similar to one in the Winthrop Collection illustrated by M. Loehr, Ancient Chinese Jades, Fogg Art Museum, 1975, p. 341, no. 504. Both feature a central horned mask, enclosed by a split body which curves around the mask to form a ring. Another openwork pendant in the Winthrop Collection, ibid, p. 340, no. 502, also has a similar mask but this time it is flanked by the sinuous bodies of two dragons which seem to issue from the top of the mask. Both of these pieces are dated late Eastern Zhou.

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