拍品專文
PUBLISHED:
Jack Hillier, Japanese Prints and Drawings from the Vever
Collection, vol. 2 (London and New York: Philip Wilson Publishers and Rizzoli International Publications, Inc., 1976), no. 583.
For other impressions see Asano Shugo, Suwa Haruo and Yamaguchi Keizaburo, Toshusai Sharaku: Gensundai zensakuhin (Complete works of Toshusai Sharaku reproduced in actual sizes) (Tokyo: Shogakukan, 2002), pl. 7; Yamaguchi Keizaburo, Sharaku no zembo (Complete works of Sharaku) (Tokyo: Tokyo Shoseki, 1994), pl. 6, p. 13; Sato Mitsunobu, Ukiyoe meihinten (Exhibition of masterpieces of ukiyo-e) (Yokohama: Hiraki Bijutsukan, 1993), no. 67; Roger Keyes, Sharaku, portraits d'acteurs 1794-1795, exh. cat. (Paris: Huguette Berès, 1980), no. 7; Yamaguchi Keizaburo, Sharaku, vol. 7 of Ukiyoe taikei (Compendium of ukiyo-e) (Tokyo: Shueisha, 1973), pl. 9; Suzuki Juzo, Sharaku, in Masterworks of Ukiyo-e, vol. 2 (Tokyo and Palo Alto, Ca.: Kodansha International, Ltd., 1968), pl. 2, p. 34.
Another example was sold in these Rooms, 26 April 1995, lot 32.
Jack Hillier, Japanese Prints and Drawings from the Vever
Collection, vol. 2 (London and New York: Philip Wilson Publishers and Rizzoli International Publications, Inc., 1976), no. 583.
For other impressions see Asano Shugo, Suwa Haruo and Yamaguchi Keizaburo, Toshusai Sharaku: Gensundai zensakuhin (Complete works of Toshusai Sharaku reproduced in actual sizes) (Tokyo: Shogakukan, 2002), pl. 7; Yamaguchi Keizaburo, Sharaku no zembo (Complete works of Sharaku) (Tokyo: Tokyo Shoseki, 1994), pl. 6, p. 13; Sato Mitsunobu, Ukiyoe meihinten (Exhibition of masterpieces of ukiyo-e) (Yokohama: Hiraki Bijutsukan, 1993), no. 67; Roger Keyes, Sharaku, portraits d'acteurs 1794-1795, exh. cat. (Paris: Huguette Berès, 1980), no. 7; Yamaguchi Keizaburo, Sharaku, vol. 7 of Ukiyoe taikei (Compendium of ukiyo-e) (Tokyo: Shueisha, 1973), pl. 9; Suzuki Juzo, Sharaku, in Masterworks of Ukiyo-e, vol. 2 (Tokyo and Palo Alto, Ca.: Kodansha International, Ltd., 1968), pl. 2, p. 34.
Another example was sold in these Rooms, 26 April 1995, lot 32.