Details
A FINE CARVED CHALCEDONY SNUFF BOTTLE
OFFICIAL SCHOOL, 1740-1870

Of rounded rectangular form, well carved on one side utilising the white markings to create a design of three goats basking under the sun seemingly supported by formalised clouds, the reverse with faint diagonal striations, stopper
2 3/8 in. (6.05 cm.) high
Provenance
Y. F. Yang & Co., Hong Kong, 1977
Literature
100 Selected Chinese Snuff Bottles from the J & J Collection, back cover and no. 57
JICSBS, Autumn 1989, front cover
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 1, no. 152
Exhibited
Christie's London, October 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2001 - 2002
Portland Museum of Art, Portland, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

The subject of the three goats in a field on a sunny spring day was a popular theme referring to the yang principle in yinyang cosmology. The Chinese word for sun is taiyang, and that for goat is yang, a pun on the yang of yinyang. As such, the three goats, sanyang, made an allusion to the auspicious phrase sanyang kaitai, 'the beginnings of good fortune', which refers to the rebirth of nature in spring and the coming of renewed prosperity, as well as to the three Daoist gods known as the Sanyangsheng.

For a discussion of the Official School of hard-stone carving, see Moss et. al., A Treasury of Chinese Snuff Bottles, Volume 2, Quartz, no. 258, where the numerous subsequent examples are all of the school.

More from IMPORTANT CHINESE SNUFF BOTTLES FROM THE J&J COLLECTION

View All
View All