A VERY RARE CARVED AMBER SNUFF BOTTLE
A VERY RARE CARVED AMBER SNUFF BOTTLE

細節
A VERY RARE CARVED AMBER SNUFF BOTTLE
1740-1860

Well hollowed and carved on four sides with floral panels, the main panels enclosing a gnarled pine tree hung with creepers on one side and bamboo on the other, the side panels with prunus and orchids, the amber of rich opaque golden-yellow tones, stopper
2 5/8 in. (6.67 cm.) high
來源
Bob C. Stevens
Sotheby's New York, 26 March 1982, lot 190
Hugh M. Moss Ltd.
出版
Chinese Snuff Bottles No. 4, p. 45, pl. R.
Bob C. Stevens, The Collector's Book of Snuff Bottles, no. 699.
100 Selected Chinese Snuff Bottles from the J & J Collection, back cover and no. 32.
JICSBS, Autumn 1989, front cover.
Moss et. al., The Art of the Chinese Snuff Bottle, The J & J Collection, vol. 2, no. 296.
展覽
Christie's London, 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Portland, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

拍品專文

This is one of the masterpieces of Chinese amber snuff bottles. The material is quite extraordinary in its brilliance and richness of colour which ranges from dark, translucent coppery-gold to vibrant, opaque golden-yellow. The artist has created a bottle of delightful shape, with its gently bulging rectangular body finely balanced by the sloping shoulders and elegantly flared neck, and superbly enhanced by the shaping of the panels.

The layout of the four symbolic flora known as 'Four Gentlemen' is also beautifully disposed, each within its individual panel using to great effect the broad bands of different colour in the material.

An almost identical bottle, but with a less flared neck, was formerly with Yamanaka & Co. and was sold at the American Art Association, Anderson Galleries Inc. auction of 1929, lot 302. The two can only have come from the same hand; they follow exactly the same design with only slight variation in certain angles of the pine and its branches and vines.