(2)  A Pair of Indian parcel-gilt thrones
Christie's charges a Buyer's premium calculated at… 显示更多
(2) A Pair of Indian parcel-gilt thrones

UNMARKED, LATE 19TH CENTURY

细节
(2) A Pair of Indian parcel-gilt thrones
UNMARKED, late 19th century
With leaf-capped fluted baluster front legs and leaf-capped spreading back legs, the straight back with spirally-fluted supports with stylised bud finials, the foliate scroll cresting with central sunburst and crowned mask, the leaf-capped foliate scroll arms with seated lion terminals, with foliate scroll borders and gilt embroidered red velvet seat and back
150 cm. (2)
注意事项
Christie's charges a Buyer's premium calculated at 23.205% of the hammer price for each lot with a value up to €110,000. If the hammer price of a lot exceeds €110,000 then the premium for the lot is calculated at 23.205% of the first €110,000 plus 11.9% of any amount in excess of €110,000. Buyer's Premium is calculated on this basis for each lot individually.

拍品专文

In ancient India, the thrones were known as "Simhasana", which means "Lion's seat", and were supported by such lions or tigers. "The throne" says A.M. Hocart, "expresses by physical means the King's moral superiority and symbolises a womb of sovereignty". In later 18th and 19th century, thrones and feline animals were worked into the design of European-style chairs.
Before the arrival of Europeans, furniture in India was largely unknown, except for thrones used by the rulers. But from the end of the 16th century, with the founding of the East India Companies, the Europeans, initially the Portuguese, followed by the English and Dutch began to establish trading settlements along the east and west coasts which soon grew into prosperous towns. These settlers were unable to bring much furniture with them, but soon discovered that Indian craftsmen had the extraordinary skill of being able to copy a pattern meticulously. Over time, several schools of furniture makers developed largely determined by the materials available in their region. By the end of the 18th century Indian-made European-style furniture was both aesthetically and technically accomplished.

In the second half of the 19th century, India was represented at the great international exhibitions. The effect of this was two-fold: not only was there an increased fashion for Indian goods in Europe, but the new European styles were quickly adapted to Indian taste. The manufacture of Anglo-Indian furniture by Indian craftsmen has never ceased. (Literature: Amin Jaffer, Furniture in British India, 1750-1830).

Indian silver-mounted furniture has been made to the highest standards of Indian craftmanship, originally made for the maharajahs and rulers in India.
They were used by the King and high-ranking nobility, but were also presented to Governor-Generals as gifts.