Lot Essay
Arthur Grimwade suggested that John White "either was, or employed, a particularly fine engraver who made considerable use of a grinning mask of Hogarthian type in the cartouches enclosing coat-of-arms and in strapwork borders." Charles Oman proposed Charles Gardner was the engraver.
Freed in 1714, Gardner proved to be one of most successful engravers of his day. His work was much in demand, as eleven apprentices were bound to him and most of the time he employed three apprentices. Gardner's importance is further emphasized by the fact that the Goldsmiths' Company specifically requested that Gardner engrave new plate ordered from Paul de Lamerie, Richard Bayley, Thomas Farren and Humphrey Payne.
Oman compared the engraving on the Goldsmiths' Company salvers by Bayley and Farren of 1740 and 1741, respectively, with the Beaufort jewel casket. He concluded that all were by the same hand with a "stiff and formal rendering" of the heraldry. A seal salver made for Lord Chancellor King (1669-1734) by John White in 1728 and signed "CGardner Sculpt." (Sothebys, London, June 8, 1995, lot 122) conclusively connects the two men. A two-handled cup by John White, 1730 (Christie's, New York, October 17, 2002, lot 166), must also be the work of Gardner. Its engraved border and simulated strapwork are almost identical to those on this ewer.
Charles Gardner is likely the man referred to in a letter from John White in the Badminton archives (D2700 PA 1/7):
"London July 12 1729 to Capt Burgh at his grace the Duke of Beaufort at Home Lacey Herfs I recd yours with a Bill of three Hundred Pounds on Rd Lockwood Esq. and this day sent his Grace's Plate to Badminton by John Sertain all packt in the best manner...I have this Post advertised Mr Gardiner (sic) of ye Plate being sent as above and am Sr Your most humble servant John White"
CAPTION: Henry Somerset, 3rd Duke of Beaufort, from an etching by William Hoare of Bath, courtesy of the National Portrait Gallery
Freed in 1714, Gardner proved to be one of most successful engravers of his day. His work was much in demand, as eleven apprentices were bound to him and most of the time he employed three apprentices. Gardner's importance is further emphasized by the fact that the Goldsmiths' Company specifically requested that Gardner engrave new plate ordered from Paul de Lamerie, Richard Bayley, Thomas Farren and Humphrey Payne.
Oman compared the engraving on the Goldsmiths' Company salvers by Bayley and Farren of 1740 and 1741, respectively, with the Beaufort jewel casket. He concluded that all were by the same hand with a "stiff and formal rendering" of the heraldry. A seal salver made for Lord Chancellor King (1669-1734) by John White in 1728 and signed "CGardner Sculpt." (Sothebys, London, June 8, 1995, lot 122) conclusively connects the two men. A two-handled cup by John White, 1730 (Christie's, New York, October 17, 2002, lot 166), must also be the work of Gardner. Its engraved border and simulated strapwork are almost identical to those on this ewer.
Charles Gardner is likely the man referred to in a letter from John White in the Badminton archives (D2700 PA 1/7):
"London July 12 1729 to Capt Burgh at his grace the Duke of Beaufort at Home Lacey Herfs I recd yours with a Bill of three Hundred Pounds on Rd Lockwood Esq. and this day sent his Grace's Plate to Badminton by John Sertain all packt in the best manner...I have this Post advertised Mr Gardiner (sic) of ye Plate being sent as above and am Sr Your most humble servant John White"
CAPTION: Henry Somerset, 3rd Duke of Beaufort, from an etching by William Hoare of Bath, courtesy of the National Portrait Gallery
.jpg?w=1)