A MUGHAL INSET BANDED AGATE AND GARNET FLYWHISK HANDLE

NORTH INDIA, 17TH OR EARLY 18TH CENTURY

细节
A MUGHAL INSET BANDED AGATE AND GARNET FLYWHISK HANDLE
North India, 17th or early 18th century
The elegant cylindrical shaft formed of transverse sections of banded agate strung on a central metal core, the upper cup-shaped terminal formed of a single garnet resting on an amber collar and with upper serrated cresting inset with emeralds, bands of rubies below, the lower terminal carved in the form of a lotus flowerhead with ruby-inset point on similar collar, one agate band chipped
9½in. (24.2cm.) long
来源
Robert, Lord Clive of Plassey (1725-1774), to his first son
Edward Clive, 2nd Baron Clive of Plassey and 1st Earl of Powis (3rd creation 1804), (1754-1839), by descent to
George Charles Herbert, 4th Earl of Powis (1862-1952)
thence by inheritance.

1766 inventory: possibly part of "Agate pieces"
1774 inventory: "Three pillars of sardonyx ornamented wth rubies, emeralds etc"
1775 inventory: "Three Cowtail handles of onyx"
出版
Archer, Mildred; Rowell, Christopher and Skelton, Robert: Treasures from India, The Clive Collection at Powis Castle, London, 1987, pt.no.178, pp.122-3.
展览
On view at Powis Castle 1987-2003.

拍品专文

While the flywhisk is not something which appears frequently in texts of the period, it features very prominently in portraits of Indian and particularly Mughal rulers. The main figure is frequently attended by one or more flywhisk bearers. Flywhisks thus became an indicator of rank, such that, by the mid-seventeenth century, small delicate flywhisks were carried by nobles as accoutrements appropriate to their position. A number of enthronement scenes in the Padshahnama show one of the senior courtiers standing behind the Emperor holding a flywhisk in addition to the two more prominent servants, each with larger examples who tend to flank the monarch. Even Dara Shikoh, Shah Jahan's chosen successor, is shown on his own in a portrait now in the Khalili Collection, standing with a sword over the right shoulder and a flywhisk by his side.

The agate in the stem of this flywhisk has been worked to obtain the maximum effect from the banding. Designs within stones were highly prized in Mughal India, as is demonstrated by the Indian appreciation of cameos, and also a number of items which deliberately play with the different colour markings within a stone, such as a small agate finial in the al-Sabah Collection (Keene, Manuel and Kaoukji, Salam: Treasury of the World, London, 2001, no.9.2, p.119). The same technique as is seen here, but on a larger scale, of a series of transverse cut agate and other hardstone cylinders threaded on a metal core, is found in a ceremonial mace also now in the al-Sabah Collection (no.8.29, p.105).

Lord Clive originally had three very similar flywhisks. Two further examples remain at Powis Castle (Treasures from India, no.178).