Group portrait of a family, thought to be the Reilly family of Scarvagh, stepping ashore from a boat on a lough, with mountains beyond

細節

Joseph Patrick Haverty, R.H.A. (1794-1864)
Group portrait of a family, thought to be the Reilly family of Scarvagh, stepping ashore from a boat on a lough, with mountains beyond
indistinctly signed (lower left)
oil on canvas
48 x 59½ in. (122 x 155 cm.)

來源

Anon. sale; Christie's, London, 25 May 1979, lot 210 (sold £1, 200).
With Grace Pym Gallery, Dublin.

出版

A. Crookshank and Knight of Glin, Ireland's Painters 1600-1940, New Haven and London, 2002, p. 227

注意事項

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

拍品專文

Joseph Patrick Haverty came from Galway, and although not much is known of his education, he travelled a great deal during the early part of his career and exhibited at the Royal Academy in London. He became one of the earliest associates of the Royal Hiberian Academy, becoming a full Academician in 1829.

This large scale family portrait is thought to be of the Reilly family of Scavargh. John Lushington Reilly was an artist himself and according to the Reilly family he had noticed Haverty's talent early, when he was still a boy in Galway, and had helped with his education. Haverty is known to have based a pair of acquatints of George IV processing down Sackville Street in Dublin and his departure from Kingstown on drawings made on the spot in 1821 by Reilly. This portrait can be compared to Haverty's group portrait of the Reilly family standing before Scarvagh House, Co. Down (for which see A. Crookshank and The Knight of Glin, The Painters of Ireland c. 1660-1920, London, 1978, p. 216, pl. 215). Crookshank and the Knight of Glin have suggested that the landscape in the background shows Carlingford Lough and the Mourne Mountains (Crookshank and Glin, op.cit., p.226). Haverty's group portraits are among his most charming works.