LOUIS-ERNEST BARRIAS (French, 1841-1905)
A 10% Goods and Services tax (G.S.T) will be charg… Read more
LOUIS-ERNEST BARRIAS (French, 1841-1905)

La Nature se devoilant devant la Science (Nature revealing herself to science)

Details
LOUIS-ERNEST BARRIAS (French, 1841-1905)
La Nature se devoilant devant la Science (Nature revealing herself to science)
signed 'E. Barrias', inscribed Susse Fres Edtrs Paris; stamped 'Bronze' and with the Susse Freres stamp, initialled 'A.'
white marble and two-coloured gilt bronze, with green-brown bronze scarab, on a mottled black marble base, with a mottled pink marble panelled pedestal, with gilt-metal relief plaques of Eve and women picking apples
Figure: 99 cm; Pedestal: 111.5 cm
Executed in 1893
Provenance
anon. sale, Sotheby's, London, 19th and 20th century Sculpture, 20 November 1997, lot 99
Acquired from the above
Literature
M Forrest, Art Bronzes, Pennsylvania, 1988, pp. 427-8, 464, 470
J Cooper, 19th Century Romantic Bronzes, David and Charles, London, 1975. illus. p.42
P Kjellberg, Les Bronzes du XIXe Siecle, Les Editions de L'Amateur, 1986, pp.20, 49-51
P Fusco and H W Janson, The Romantics to Rodin, Los Angeles County Museum, pp.115-6. 118-20, cat. no. 10
B Catley, Art Deco and other figures, Antique Collectors Club Woodbridge, 1978, p. 40
Musee D'Orsay, Catalogue Sommaire Illustre des Sculptes, Editions de la Reunion, p 37-38 The Colour of Sculpture, pp. 185-6, cat. no. 58 A Pingeot, Musee d'Orsay , Catalogue sommaire illustre des sculptures, Paris, 1986, p. 38, see also p. 29
Special notice
A 10% Goods and Services tax (G.S.T) will be charged on the Buyer's Premium in all lots in this sale

Lot Essay

The first version of the exotic allegorical work Nature se divoilant devant la Science was exhibited by Barrias at the Salon of 1893 and was later acquired by the Ecole de Midicine at Bordeaux. Barrias's original model, entitled Mysterious and veiled Nature uncovers Herself before Science, differed slightly from the present version, in that the figure was depicted naked but for a cloak draped from her head down her back. In this, a variation on the same theme, and the one that became Barrias's most celebrated work, Nature is seen in an earlier stage of her divestment. The model was commissioned in 1895 for the Escalier d'Honneur at the Conservatoire des Arts et Mitiers and was exhibited at the Salon in 1899 and at the Paris Exposition Universelle the following year.

Here, Barrias has drawn upon didactic and allegorical themes prevalent in Renaissance and Baroque sculpture and has used them to a depict a young woman revealing herself, ostensibly for the benefit of scientific investigation. At the same time, however, the sexual undercurrent is clear in the coy, coquettish pose of the figure as she provocatively tempts the spectator with her partial nudity.

Responding to the popularity of the work, Susse Frhres produced a number of editions of Nature, in five sizes and various combinations of media

More from THE JOHN SCHAEFFER COLLECTION AT RONA

View All
View All