JOSEPH-PHILIBERT GIRAULT DE PRANGEY
No VAT will be charged on the hammer price, but VA… Read more CAIRO Girault de Prangey's primary subject was architecture, which he approached with a knowledgeable but enquiring mind and an artist's eye. He used a variety of methods and techniques to reproduce the spatial and ornamental qualities of historically important buildings on paper and on the daguerreotype plate. Social history was not a major preoccupation and the limitations of his early lenses and plates made it as nearly impossible to photograph in dark interiors or confined, narrow streets, as it was to make informal portraits and genre studies. Nevertheless, he achieved some success with each of these challenging subjects in Egypt and especially Cairo.
JOSEPH-PHILIBERT GIRAULT DE PRANGEY

207. Kaire. Kouttab Kaïdbey rue.

Details
JOSEPH-PHILIBERT GIRAULT DE PRANGEY
207. Kaire. Kouttab Kaïdbey rue.
Daguerreotype. n.d.[1843] Titled and numbered in ink on label on verso.
3¾ x 3¼in. (9.5 x 8.2cm.)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

In this small daguerreotype taken near the Mosque of Qaitbay, he photographs what feels like an ordinary narrow Cairo street with the base of the minaret sealing off the end and completing the rather suffocating atmosphere. The typically overhanging windows of the old houses add to the claustrophobic feeling. The light walls would have made this photograph more possible than if the buildings had darker façades. The dark windows and patterned grilles set up a curious rhythm as they cut into the lighter walls and the hint of light blue sky in the corner adds a welcome breath of air to the street.

In the top left corner of this daguerreotype one can clearly see the rosette stamp which is common to all those of his plates on which any manufacturer's stamp can be detected. There are seven other small Cairo street scenes identified in the archive, one other with this same title. Each is of a different view.

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