A FRENCH PROVINCIAL BLUE AND CREAM-PAINTED CORNER ARMOIRE
A FRENCH PROVINCIAL BLUE AND CREAM-PAINTED CORNER ARMOIRE

MID-18TH CENTURY

细节
A FRENCH PROVINCIAL BLUE AND CREAM-PAINTED CORNER ARMOIRE
MID-18TH CENTURY
The arched cornice centered by an elaborate foliate clasp above a pair of double-hinged doors enclosing a concave interior with fielded panels over a conforming base fitted with a pair of drawers above a pair of arcaded doors enclosing shelves, on a conforming plinth
116½ in. (296 cm.) high, 62 in. (157.5 cm.) wide, 23 in. (58.5 cm.) deep
来源
Alice Tully; Christie's, New York, 26-28 October 1994, lot 98.

拍品专文

Miss Alice Tully was the daughter of a Republican state senator and grand-daughter of Amory Houghton, the founder of Corning Glass. One of the greatest patrons of music and musicians of this century, she entirely financed anonymously a concert series, the Musica Aeterna, at the Metropolitan Museum of Art, while the most important and visible memorial to her charity is the Alice Tully Hall at Lincoln Center.

Sarah Kelly, the interior designer whom Alice Tully met in France before the war, guided the building of her remarkable collection of pictures, drawings, sculpture and decorative arts that were to fill the five apartments that made up the entire 27th floor of Hampshire House, which became her home until her death in 1993.

Miss Tully bought discriminately and chose works that reflected her interests in the art cultures of France and Italy, particularly the 18th and 19th centuries. The collection encompassed such diverse works as paintings by Giacomo Guardi, Claude Monet, René Magritte and Tintoretto, Egyptian, Hittite, French and Italian sculpture, and fine French furniture by such makers as Jean-Henri Riesener, René Dubois and André-Charles Boulle.