Lot Essay
This piano closely resembles others produced in Berlin and Vienna in the first two decades of the 19th century. A particularly close piano, from the Berlin workshop of Johann Christian Schleip, of 1825, also has a dramatic lyre-form upright and nearly identical overall base and with similar restrained scrolling mounts (see A. Stiegel, Berliner Möbelkunst, Berlin, 2003, p. 216). Other variations to this upright form were popularized through the published engravings of the Viennese firm of Herrn Wachtl und Bleyer published in 1812.