Imprisonment

细节

John William North, A.R.A., R.W.S. (1842-1924)
Imprisonment
signed with initials and dated 'JWN/1876-7' (lower right) and with inscription 'Mr John William North 119 Church Street Fitzroy Sq London Dar el Ouard Mustapha Superieur Algiers' (on the artist's card attached to the backboard)
watercolour with gum arabic bodycolour and with scratching out
25¾ x 37 in. (65.5 x 94 cm.)

来源

A.S. Stevenson, Tynemouth.
Anonymous sale; Sotheby's, Belgravia, 19 October 1989, lot 422.

展览

Newcastle, Royal Mining Engineering and Industrial Exhibition (International and Colonial) Jubilee Year, Fine Art Section, 1887.

注意事项

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

拍品专文

The painting celebrates North's love affair with Algeria. He went there is 1873 with Fred Walker, hoping that the climate would benefit his friend's delicate health. Walker soon returned but North stayed on, building himself a house called 'Dar el Ouard' ('The House of the Roses'), where he spent several months annually for the next six years. The roses in the foreground of Imprisonment clearly refer to the name of the house, although the title and the figures are characteristically enigmatic. There is a vague suggestion that Tennyson's Mariana has been transferred to some Algerian desert.

Another picture in which the house features was in the Fuller sale, Christie's, London, 7 April 2000, lot 53. Painted a year earlier, this was smaller and more objective in approach, a straightforward topographical account lacking the literary dimension we find in Imprisonment.