AN ITALIAN ORMOLU-MOUNTED EBONY, PIETRA DURA AND SPECIMEN MARBLE CABINET-ON-STAND
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AN ITALIAN ORMOLU-MOUNTED EBONY, PIETRA DURA AND SPECIMEN MARBLE CABINET-ON-STAND

THE PIETRA DURA PANELS SECOND HALF 17TH CENTURY, THE CABINET PROBABLY RECONSTRUCTED IN THE FIRST HALF OF THE 19TH CENTURY

Details
AN ITALIAN ORMOLU-MOUNTED EBONY, PIETRA DURA AND SPECIMEN MARBLE CABINET-ON-STAND
THE PIETRA DURA PANELS SECOND HALF 17TH CENTURY, THE CABINET PROBABLY RECONSTRUCTED IN THE FIRST HALF OF THE 19TH CENTURY
The architectural façade with nine drawers decorated with panels depicting alternatively a floral branch and an exotic bird perched on a berried or foliate branch, around a central cupboard door decorated with a twin handled vase issuing a floral bouquet, within an arcade with specimen marbles including lapis lazuli and agate, enclosing three further drawers panelled with amethyst, lapis lazuli and agate and six secret drawers, flanked by Verde Antico columns (one broken) and surmounted by a breakfront pediment, with panelled sides, one drawer with remains of a label inscribed in black ink '583 a 3 ft 5 Florentin... mosaic Cabinet, with ... birds and flowers in col ... p m ... D H .. O £...', minor losses to mouldings, the drawers possibly relined in England in ash in the second quarter of the 19th Century, on an ebonised stand with scalopped frieze, spirally turned legs and X-shaped stretcher and turned feet, together with an early 20th Century drawing by Bertram & Son, Dean St., proposing an alternative design for a stand
The cabinet: 24 in. (61 cm.) high; 41¾ in. (106 cm.) wide; 14½ in. (37 cm.) deep
The base: 30¼ in. (77 cm.) high; 42¼ in. (107.5 cm.) wide; 15 in. (38 cm.) deep
Provenance
Bought by Sir Hamilton Seymour in Florence in the 1830's.
Thence by descent.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

Splendid ebony cabinets such as this example, elaborately conceived to display costly Florentine pietra dura panels from the Medici workshops, were mainly produced in Florence and Rome, and favoured by a growing population of wealthy patrons. This cabinet, probably adapted in England in the 19th Century when such objects were highly sought after and bought by connoisseurs such as William Beckford, displays some of the finest pietra dura panels. The precious trompe l'oeil mosaics of marbles and hard stones epitomise princely magnificence of the Opificio delle pietre dure, founded in 1588 by Grand Duke Ferdinand I de Medici, while their never-fading flowers evoke the Arcadian concept of perpetual spring or 'Ver perpetuum'. The richest and most striking element of the façade, framed by drawers embellished with birds, fruiting branches and floral sprigs, is the central panel depicting an ormolu-mounted and flower-filled vase. The vase is one of the earliest and most favoured subjects of the grand ducal workshops and can also be found on large-scale panels for the monumental altar of Santo Spirito, executed between 1599 and 1607 for the Michelozzi family. The workshop records of the famous master, Urbano Ferruci describes 'vasi a commesso in fondo di paragone' (vases made in inlay on a ground of black marble).

A related cabinet, of slightly larger proportion, from the Palazzo Vecchio, Florence, is now in the Museo dell'Opificio delle Pietre Dure, (A Giusti (ed.), Splendori di Pietre Dure, Florence, 1988, cat.31). A cabinet from Warwick Castle (sold Christie's London, 30 May 1968, lot 91) and a pair at Chirk Castle, North Wales, both show similar architectural drawer arrangement and closely related pietra dura panels.

The design for an alternative stand found within the cabinet is inscribed 'This old cabinet and new stand now belong to Dudley. But we might utilise this design for our Florentine Cabinet for a better stand than it has' and signed 'Phil'.

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