Follower of Diego Rodriguez de Silva y Velázquez
This lot is exempt from Sales Tax. PROPERTY FROM THE HIGH MUSEUM OF ART, ATLANTA, SOLD TO BENEFIT THE ACQUISITIONS FUND
Follower of Diego Rodriguez de Silva y Velázquez

Self-portrait, bust-length, wearing the badge of the Order of Santiago

Details
Follower of Diego Rodriguez de Silva y Velázquez
Self-portrait, bust-length, wearing the badge of the Order of Santiago
inscribed 'ANDE... AS.' (upper left)
oil on canvas
23 x 16 7/8 in. (58.5 x 42.8 cm.)
Provenance
Sir Francis Cook, 1st Bt. (1817-1901), Doughty House, Richmond, and by descent at Doughty House to Sir Francis Cook, 4th Bt. (1907-1978).
with Vose Galleries, Boston, 1960, from whom purchased by the present owner.
Literature
J.O. Kronig, A Catalogue of the Paintings at Doughty House, Richmond, & Elsewhere with the Collection of Sir Frederick Cook, Bt., 1914, no. 23.
M. Brockwell, Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey in the collection of Sir Herbert Cook, Bart, 1932, p. 58, no. 503, in the Organ Room, as 'Attributed to Velázquez'.
J. López-Rey, Velázquez. A Catalogue Raisonné of his Oeuvre, London, 1963, p. 184, no. 183, as a 'School piece' and p. 135, pl. 230.
P. M. Bardi, L'opera completa di Velázquez, Milan, 1969, p. 100, as an autograph work.
Exhibited
Indianapolis, Herron Museum of Art, El Greco to Goya, 10 February - 24 March 1963.
Special notice
This lot is exempt from Sales Tax.

Lot Essay

In his 1963 catalogue raisonné of Velázquez, José López-Rey lists twelve self-portraits and 'so-called self-portraits', among which is the present work which he refers to as 'a school piece'. The work in the Museo de Bellas Artes de San Pío V, Valencia is considered the prime autograph version. The present work differs from that painting, which has been dated to c. 1640, in the inclusion of the badge of the Order of Santiago which the artist received in 1659.

The present work has an illustrious provenance having once formed part of the famed Cook collection at Doughty House, Richmond. Sir Francis Cook became the head of his father's textile, manufacturing and wholesaling firm in 1869, establishing through it a fortune that enabled him to become one of the principal collectors of antique Greek and Roman sculpture in the Victorian era, as well as a major buyer of paintings, acquiring his collection mostly at auction between 1855 and 1870. Cook's wide ranging collection of paintings at Doughty House was one of the finest of his time, including such works as Titian's celebrated Portrait of Ranuccio Farnese, Fra Angelico and Fra Filippino Lippi's Adoration of the Magi, Bellini's Episode from the life of Publius Cornelius Scipio, François Clouet's A Lady in her Bath, Mantegna's Christ Child blessing (all National Gallery, Washington, D.C.) and Titian's Portrait of a Lady (National Gallery, London).

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