A DUTCH TURNED EBONY BAROQUE OBOE
No VAT will be charged on the hammer price, but VA… Read more
A DUTCH TURNED EBONY BAROQUE OBOE

BY HENDRICK RICHTERS, CIRCA 1725

Details
A DUTCH TURNED EBONY BAROQUE OBOE
BY HENDRICK RICHTERS, CIRCA 1725
With collared ivory pockets to joints and three silver keys, engraved and inscribed, losses
22¼ in. (56.5 cm.) long
Exhibited
Galpin Exhibition, 1959.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis
Sale room notice
Please note that the oboe is missing approximately half of its ivory ring at the bottom.

Lot Essay

By the end of the seventeenth century, Amsterdam had become the musical centre of the Netherlands. A growing demand for instruments led many craftsmen to Amsterdam from surrounding countries. Hendrik Richters (1694 - 1770), the elder of two brothers, was born in Amsterdam, although the family originally came from Munster. Considered the best turner of his time, Richters used the most luxurious materials, and his workmanship was second to none. In a period when most instruments were made in boxwood, Richters frequently worked in ebony, decorating his instruments with ivory and turning the instruments with great skill, using a special lathe to turn the ivory. Specimens of this makers work are rare:- there are examples however, in the Haags Gemeentemuseum and The Museum of Fine Arts, Boston.

It is posible that this instrument was bought for Chirk by Richard Myddelton (d.1795), whose wife and children were clearly musical, like the harpsichord by Burkhat Sindi, which is dated 1742 but actually came to Chirk in 1766.

More from CHIRK CASTLE, WREXHAM, WALES

View All
View All