Lot Essay
                                Steer (op. cit., p. 144) observes that 'despite its condition and the radical change of appearance it underwent between 1944 and 1957, there is still a reason to believe that this is the remains of a genuine Alvise portrait of the late eighties or early nineties'.  Steer cites comparisons with the Saint Sebastian of the Belluno altarpiece and Alvise's portrait in the National Gallery, London. 
                            
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