A LARGE CHINESE COROMANDEL BLACK LACQUER TWELVE-PANEL SCREEN
A LARGE CHINESE COROMANDEL BLACK LACQUER TWELVE-PANEL SCREEN

18TH CENTURY

Details
A LARGE CHINESE COROMANDEL BLACK LACQUER TWELVE-PANEL SCREEN
18TH CENTURY
The front carved and polychromed with figures at pleasurable pursuits in an expansive palace setting of pavilions and gardens, including three boys kowtowing to a seated court official, female entertainers, and boys participating in scholarly endeavors, between figural and nature vignettes above and below, the reverse of the ten central panels with a gold rectangular field bordered above and on the two end panels by 'antiques' reserved on a ground of large cell diaper
10 ft. 2 5/8 in. (312 cm.) high x 22 ft. 5 in. (686 cm.) long overall

Lot Essay

The Chinese term for this kind of carved lacquer, as used in the Xiuxi lu, published in the 16th century, is kuancai (polychrome carving), and was described as a kind of woodblock carving with filled-in, gold and painted colors. According to Sir Harry Garner, Chinese Lacquer, London, 1979, p. 260, the term coromandel, has been in use in Europe since the 16th century and is derived from the so-called Coromandel Coast, a trading center in southeast India, but the term was not originally used to describe lacquer. The earliest reference to 'Coromandel lacquer' in English appears to be in 1913, in a catalogue of an exhibition of Chinese art in Manchester, England. According to R. Soame Jenyns, Chinese Art II, New York, 1980 rev. ed., p. 231, carved lacquer screens were not originally made for the European market, but became a popular export during the late 17th and early 18th centuries.

More from The C. Ruxton and Audrey B. Love Collection: Important

View All
View All