AN ITALIAN SPECIMEN MARBLE TABLETOP ON LATER GILT WROUGHT-IRON BASE
THE PROPERTY OF A NEW YORK COLLECTOR (LOT 1218)
AN ITALIAN SPECIMEN MARBLE TABLETOP ON LATER GILT WROUGHT-IRON BASE

THE TABLETOP CIRCA 1820, THE MODERN BASE DESIGNED BY ROBERT METZGER

Details
AN ITALIAN SPECIMEN MARBLE TABLETOP ON LATER GILT WROUGHT-IRON BASE
The tabletop circa 1820, the modern base designed by Robert Metzger
The circular tabletop with diamond-inlaid border with white marble surround radially inlaid 'scales' of specimen marbles, including alabastro egiziano, granito rosso, bianco e nero antico, breccia corallina, lumachella orientale and others, framing a central micro-mosaic medallion depicting Pliny's Doves, on a rusticated gilt-wrought iron base
30 in. (76 cm.) high, 50 in. (127cm.) diameter of marble top, 55½ in. (141 cm.) diameter of top including frame of base
Sale room notice
Property title should read "Property of the John McEnroe Gallery"

Lot Essay

Specimen marble and micromosaic objects such as this magnificent tabletop are surviving examples of the tradition of Grand Tour articles popularized during the 18th Century by the English and North European tourists who travelled throughout Italy. The fine quality of of these items attests to this lineage by appealing to the aristocratic, educated and well-travelled dilettanti.
The motif of Pliny's doves that decorates the center of this tabletop derives from a mosaic in Villa Adriana, in 1737, by Cardinal Furietti, from whom it was purchased by Clement XIII. Considered one of the finest and most perfectly preserved specimens of ancient mosaic, it represents four doves drinking. The mosaic is supposed to be the work of Sosus, and is described by Pliny as a proof of the perfection to which that art had arrived. He says:-
"At Pergamos is a wonderful specimen of a dove drinking, and darkening the water with the shadow of her head; on the lip of the vessel are other doves pluming themselves."
A very similar specimen marble tabletop with a central micro-mosaic of Mercury previously from the collection of Charles de Beistegui, Château de Groussay was sold anonymously at Christie's, New York, 22 May 2002, lot 364. Another smaller example, but with the same micro-mosaic motif of Pliny's Doves in the center, sold anonymously at Christie's London, 2 October 1997, lot 47.

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