A PAIR OF CLOISONNE ENAMEL GILT-METAL SHALLOW CIRCULAR BOWLS
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A PAIR OF CLOISONNE ENAMEL GILT-METAL SHALLOW CIRCULAR BOWLS

INCISED QIANLONG SIX-CHARACTER MARKS WITHIN DOUBLE SQUARES AND OF THE PERIOD (1736-95)

Details
A PAIR OF CLOISONNE ENAMEL GILT-METAL SHALLOW CIRCULAR BOWLS
INCISED QIANLONG SIX-CHARACTER MARKS WITHIN DOUBLE SQUARES AND OF THE PERIOD (1736-95)
Each supported on a circular foot and with gently flaring sides, decorated on the exterior with four equidistant shaped yellow-ground panels framed by pairs of stylised phoenixes, each enclosing a large flowering lotus flanked by two smaller buds borne on leafy stems, the panels divided by bat and foliate motifs, above a band of floral scroll around the foot
6½ in. (16.5 cm.) diam., later European ormolu stands (2)
Provenance
Alfred Morrison Collection
Fonthill Heirlooms labels (one lacking), no. 259
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The bowls have been transformed in the French manner to serve as a garniture of objets d'art, and are displayed on Roman style altar-tripod stands, whose monopodiae comprise serpent-tailed draco formed as imperial Chinese tail-tied dragons. Around 1800 such ornament was popularised by the Chinese embellishment of George 1V's Marine Pavilion, Brighton, where such addorsed dragons featured in an 1820 design for the Music Room window-pelmets ( J. Morley, The Making of the Royal Pavilion Brighton, London, 1984,fig 259). Such ormolu stands for display porcelain were provided by dealers such as the 'Chinaman' Edward Holmes Baldock (d.1845) and Robert Fogg (d.1828) 'Chinaman to his Majesty'; and many of them were manufactured under the direction of Benjamin Vulliamy, who had served as 'Furniture Man' to George 1V, when Prince of Wales.
A possible manufacturer for these stands could also be the 'bronzist' Samuel Parker Junior (d. c. 1843) of the 'Bronze and Iron Bronze Works', Argyll Street, who executed in 1822 George 1V's 'Kylin' clock to the design of Robert Jones. (G. de Bellaigue, 'Samuel Parker and the Vulliamys, puryeors of gilt bronze', Burlington Magazine, January, 1997 pp. 26-37, fig 47)

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