PORTRAIT DE HOWQUA ET DE SA FEMME, COULEUR SUR PAPIER DE RIZ
PORTRAIT DE HOWQUA ET DE SA FEMME, COULEUR SUR PAPIER DE RIZ

CHINA, CIRCA 1850-70

Details
PORTRAIT DE HOWQUA ET DE SA FEMME, COULEUR SUR PAPIER DE RIZ
CHINA, CIRCA 1850-70
Howqua est représenté assis, jambes croisées à la façon européenne, vêtu d'une robe à décor de dragon et du pufu brodé d'hermine indiquant son rang, un collier de perles autour du cou, le visage vieilli et serein ; sa femme est également représentée assise, tenant un éventail, vêtue d'un long manteau brodé de fleurs, parée de bijoux, le visage empreint de douceur ; encadrées
Dimensions avec le cadre: 37,2 x 28,7 cm. (14 5/8 x 11 5/16 in.)
Further details
TWO FRAMED PORTRAITS OF HOWQUA AND HIS WIFE, COLOUR ON RICE PAPER
CHINA, CIRCA 1850-70

Lot Essay

Howqua known as Wu Bingjian in chinese (1769-1843) was the doyen of the Chinese merchants in Canton and a man commemorated in many accounts of the city for his commercial probity, generosity and unusually friendly attitude towards the foreign merchant community. Around 1832, Mr Chichele Plowden of the East India Company commissioned from a western painter named George Chinnery (1774-1852) a portrait of Howqua.
During the time he lived in Canton from 1825 until his death, Chinnery had many chinese painters studying with him, learning the european manner. The most accomplished was Lamqua who is known to have executed in his studio, versions of Howqua's portrait. His own brother Tingqua who was the owner of the most prolific watercolour studio of mid 19th century in Canton, is also known to have reproduced this famous portrait.
One version of Howqua's portrait attributed to Tingqua, bearing his signature, and painted in watercolour on ivory plaque, is now kept at the Metropolitan Museum in New York. An illustration in C. Clunas, Chinese Export Watercolours, Victoria and Albert Museum, Far Eastern Series, p.196, pl.97 shows great similarities with the portrait presented here.

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