.jpg?w=1)
"Untitled" (March 5th) #2
Details
Felix Gonzalez-Torres (1957-1996)
"Untitled" (March 5th) #2
40 watt light bulbs, porcelain light sockets, extension cords
dimensions vary with installation
Executed in 1991. This work is number four from an edition of twenty and is accompanied by a certificate of authenticity signed and dated by the artist.
"Untitled" (March 5th) #2
40 watt light bulbs, porcelain light sockets, extension cords
dimensions vary with installation
Executed in 1991. This work is number four from an edition of twenty and is accompanied by a certificate of authenticity signed and dated by the artist.
Provenance
Andrea Rosen Gallery, New York
Private Collection, Geneva
Anthony d'Offay Gallery, London
Private Collection, Geneva
Anthony d'Offay Gallery, London
Literature
N. Spector, "Felix Gonzalez-Torres und Roni Horn: Anatomien des Raums," in Felix Gonzalez-Torres und Roni Horn, Munich 1995, p.12 (illustrated).
C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres," in BROADsheet, Spring 1996, p.16.
N. Spector, "Felix Gonzalez-Torres: Quelle heure est-il au paradis?" in Propositions, Musèe Dèpartmental de Rochechouart, 1996, p.10.
D. Elger, Felix Gonzalez-Torres: Catalogue Raisonné, Ostfildern-Ruit 1997, no.118 (illustrated).
C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres," in BROADsheet, Spring 1996, p.16.
N. Spector, "Felix Gonzalez-Torres: Quelle heure est-il au paradis?" in Propositions, Musèe Dèpartmental de Rochechouart, 1996, p.10.
D. Elger, Felix Gonzalez-Torres: Catalogue Raisonné, Ostfildern-Ruit 1997, no.118 (illustrated).
Exhibited
Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres/Micheal Jenkins, 1991 (another example exhibited).
Glen Falls, The Hyde Collection, Just What Is It That Makes Today's Home So Different, So Appealing?, September-November 1991 (another example exhibited).
Tokyo, Wacoal Art Center-Spiral, Three or More: A Multiple Exhibition, 1992 (another example exhibited).
Glasgow, Tramway, Read My Lips: New York AIDS Polemics, 1992 (another example exhibited).
New York, Fischbach Gallery, Abscence, Activism & The Body Politic, 1994 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden; Los Angeles, Museum of Contemporary Art; Chicago, Renaissance Society at the University of Chicago, Felix Gonzalez-Torres "Traveling," June-September 1994 (another example exhibited).
New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995, pp.182-83 (illustrated; another example exhibited).
Paris, Musèe d'Art Moderne, Felix Gonzalez-Torres (Girlfriend in a Coma), 1996 (another example exhibited).
Glen Falls, The Hyde Collection, Just What Is It That Makes Today's Home So Different, So Appealing?, September-November 1991 (another example exhibited).
Tokyo, Wacoal Art Center-Spiral, Three or More: A Multiple Exhibition, 1992 (another example exhibited).
Glasgow, Tramway, Read My Lips: New York AIDS Polemics, 1992 (another example exhibited).
New York, Fischbach Gallery, Abscence, Activism & The Body Politic, 1994 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden; Los Angeles, Museum of Contemporary Art; Chicago, Renaissance Society at the University of Chicago, Felix Gonzalez-Torres "Traveling," June-September 1994 (another example exhibited).
New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995, pp.182-83 (illustrated; another example exhibited).
Paris, Musèe d'Art Moderne, Felix Gonzalez-Torres (Girlfriend in a Coma), 1996 (another example exhibited).