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Cremaster 4: The Loughton Candidate
细节
Matthew Barney (b.1967)
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 in. (49.5 x 45.3 cm.)
Executed in 1994. This work is number twenty-five from an edition of thirty.
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 in. (49.5 x 45.3 cm.)
Executed in 1994. This work is number twenty-five from an edition of thirty.
来源
The Art Angel Trust, London
出版
F. Bonami, "Matthew Barney", Flash Art, international edition, May/June 1994 (illustrated on cover).
Matthew Barney: Pace Car for the Hubris Pill, exhibition catalogue, Rotterdam, Museum Boymans-van Beunigen; Bordeaux, capc Musee d'art contemporain; and Bern Kunsthalle, Rotterdam 1995, p.75 (illustrated).
U. Grösenick and B. Riemschneider, Art at the Turn of the Millennium, New York, 1999, p.58, no.1 (illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?", The Wall Street Journal, New York, April 30, 1999 (illustrated).
W. Feaver, "Salvador Dali: Shock Tactician", Artnews, New York, May 1999, p.131 (illustrated).
Matthew Barney: Pace Car for the Hubris Pill, exhibition catalogue, Rotterdam, Museum Boymans-van Beunigen; Bordeaux, capc Musee d'art contemporain; and Bern Kunsthalle, Rotterdam 1995, p.75 (illustrated).
U. Grösenick and B. Riemschneider, Art at the Turn of the Millennium, New York, 1999, p.58, no.1 (illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?", The Wall Street Journal, New York, April 30, 1999 (illustrated).
W. Feaver, "Salvador Dali: Shock Tactician", Artnews, New York, May 1999, p.131 (illustrated).
展览
Los Angeles, Regen Projects, Matthew Barney: Portraits from Cremaster 4, November-December 1994 (another example exhibited).
Paris, Foundation Cartier pour l'art contemporain, Matthew Barney, March-April 1995 (another example exhibited).
New York, Barbara Gladstone Gallery, Matthew Barney: Cremaster 4, April-May 1995 (another example exhibited).
Gera, Kunstammlung; and Neues Museum Weserburg Bremen, Sammlung Volkmann zeigt: Faustrecht der Freihet, April-September 1996, p.50 (illustrated; another example exhibited).
Athens School of Fine Arts "the factory"; Copenhagen, Museum of Modern Art; and New York, Guggenheim Museum Soho, Everything that's interesting is new: The Dakis Joannou Collection, January-April 1996, p.53 (illustrated; another example exhibited).
Cologne, Museum Ludwig; Musèe d'Art Moderne de la Ville de Paris; and New York, Solomon R. Guggenheim Museum, Matthew Barney, The Cremaster Cycle, June 2002-May 2003, pp.330 (illustrated) and p.472.
Paris, Foundation Cartier pour l'art contemporain, Matthew Barney, March-April 1995 (another example exhibited).
New York, Barbara Gladstone Gallery, Matthew Barney: Cremaster 4, April-May 1995 (another example exhibited).
Gera, Kunstammlung; and Neues Museum Weserburg Bremen, Sammlung Volkmann zeigt: Faustrecht der Freihet, April-September 1996, p.50 (illustrated; another example exhibited).
Athens School of Fine Arts "the factory"; Copenhagen, Museum of Modern Art; and New York, Guggenheim Museum Soho, Everything that's interesting is new: The Dakis Joannou Collection, January-April 1996, p.53 (illustrated; another example exhibited).
Cologne, Museum Ludwig; Musèe d'Art Moderne de la Ville de Paris; and New York, Solomon R. Guggenheim Museum, Matthew Barney, The Cremaster Cycle, June 2002-May 2003, pp.330 (illustrated) and p.472.