Details
THOMAS AQUINAS (c.1225-1274, Saint). Catena aurea super quattuor evangelistas. Venice: Hermannus Liechtenstein and Johannes Hamman, 4 September 1482.
Chancery 2° (297 x 199mm). Gothic type, double column, initial spaces. (A few neat marginal repairs, some light marginal dampstaining, occasional spotting, a few leaves slightly browned.) 19th-century half vellum, shelfmarks and lettering-piece on spine, red edges (front hinge cracked, rubbed at extremities). Provenance: early marginal annotations (slightly trimmed) -- early inscription on first blank erased -- Fra Carlo dal Finale, Capuchin (ownership inscriptions).
The first work printed by Liechtenstein in Venice on what was his fourth press, following his earlier work at Vicenza and Treviso. HC(Add) *1334 = H 1333?; BMC V, 356; Goff T-230.
Chancery 2° (297 x 199mm). Gothic type, double column, initial spaces. (A few neat marginal repairs, some light marginal dampstaining, occasional spotting, a few leaves slightly browned.) 19th-century half vellum, shelfmarks and lettering-piece on spine, red edges (front hinge cracked, rubbed at extremities). Provenance: early marginal annotations (slightly trimmed) -- early inscription on first blank erased -- Fra Carlo dal Finale, Capuchin (ownership inscriptions).
The first work printed by Liechtenstein in Venice on what was his fourth press, following his earlier work at Vicenza and Treviso. HC(Add) *1334 = H 1333?; BMC V, 356; Goff T-230.
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