A RUSSIAN ORMOLU, PATINATED BRONZE AND GLASS CHANDELIER
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A RUSSIAN ORMOLU, PATINATED BRONZE AND GLASS CHANDELIER

ATTRIBUTED TO ANDREI SCHREIBER, EARLY 19TH CENTURY

Details
A RUSSIAN ORMOLU, PATINATED BRONZE AND GLASS CHANDELIER
Attributed to Andrei Schreiber, early 19th Century
The pierced lonzenge chains suspended from a lotus and floral corona cup, the ring mounted with masks surmounted by twin scroll clasps, issuing the scrolling foliate twin-branches, above a circular dish with a patinated foliate mount and a berried boss
34 in. (86.5 cm.) high; 26 in. (66 cm.) diameter
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

This superb and delicately chased chandelier can be attributed to Andrei Schreiber, a German bronzier, who came to St. Petersburg from Yuriev in the 1790s. In the St. Petersburg Gazette of 5 October 1809, Schreiber advertised his works, which included 'lustres, lamps for the wall, the table and with shades, candlesticks, candelabra, vases, fireplace items and other bronze articles of furnishing' (I. Sychev, Russian Bronze, Moscow, 2002, pp. 94-95). Schreiber received various commissions from the Imperial family, which resulted in his appointment as Bronzier de la Cour de S.M.I.. He was one of the principal craftsmen employed for the redecoration of Pavlovsk in 1815-1816. The chandelier he supplied for the so-called Corner Room is closely related to the present example: both chandeliers have the same distinctive foliate and scrolling corona, pierced lozenge-shaped chains and swan-mount to the panelled ring (op. cit., pp. 112-113). A further example is illustrated in E. P. Hau's watercolour of the Blue closet at Tsarskoe Selo, which he painted around 1860 (I. Santov, Tsarskoe Selo, Paris 1992, p. 49). A virtually identical chandelier is illustrated in I. Sychev, The Russian Chandeliers 1760-1830, Moscow, 2003, p. 164, figs. 776-778.

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