Lot Essay
Huys-Janssen dates the present painting to 1645-55 and compares the frieze-like format of the company to some of Nicolas Poussin's compositions, such as his Baptism by John the Baptist, painted circa 1637-8 and the series of the Seven Sacraments of circa 1644-7, now in the National Galleries of Scotland, Edinburgh.
In a second signed treatment of this subject, formerly with Appleby Brothers, London, Bijlert concentrates on the relationship between Christ and the seated saint, with Saint James the Greater prominently placed in the foreground. Instead of the disciples observing this act of obeyance as shown in the present painting, the remaining apostles are shown eating at a table beyond (see Nicolson, op. cit., 1989, II, no. 1344).
In a second signed treatment of this subject, formerly with Appleby Brothers, London, Bijlert concentrates on the relationship between Christ and the seated saint, with Saint James the Greater prominently placed in the foreground. Instead of the disciples observing this act of obeyance as shown in the present painting, the remaining apostles are shown eating at a table beyond (see Nicolson, op. cit., 1989, II, no. 1344).