Pablo Picasso (1881-1973)
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Pablo Picasso (1881-1973)

La Cafetière bleue (Cafetière et tasse)

Details
Pablo Picasso (1881-1973)
La Cafetière bleue (Cafetière et tasse)
signed 'Picasso' (upper left); dated '3 Avril 44' (on the reverse)
oil on canvas
24 x 15 in. (61 x 38.1 cm.)
Painted on 3 April 1944
Provenance
Galerie Louise Leiris, Paris (no. 02282).
Private collection, Sweden, (probably) purchased from Svensk-Franska Galleriet, by 1954; sale, Christie's, London, 29 November 1993, lot 46.
Acquired at the above sale by the present owner.
Literature
C. Zervos, Pablo Picasso, oeuvres de 1943 à 1944, vol. XIII, Paris, 1962, no. 247 (illustrated p. 122).
The Picasso Project (ed.), Picasso's Paintings, Watercolours, Drawings and Sculpture: Nazi Occupation, 1940-1944, San Francisco, 1999, no. 44-033 (illustrated 323).
Exhibited
Stockholm, Liljevachs Konsthall, Fran Cézanne till Picasso, September 1954, no. 281.
Humblebaek, Louisiana Museum for Moderne Kunst, Picasso, September - November 1968, no. 58.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

Besides executing many portraits of Dora Maar, Picasso also painted a large number of fine still-lives in the spring of 1944. Amongst them is a series incorporating a cafetière as the central element. In seven days, from 2-8 April, Picasso executed then such paintings. The first of these, painted the day before the present picture, was also with Louise Leiris and was exhibited in the Liljevachs Konsthall exhibition in 1954. Sold in these rooms on 29th November 1982 (lot 41) the painting depicts the same coffee pot on a tall table accompanied by a glass vase and apple (Zervos, XIII, no. 250). Painted in rather dark colours, the present work is a much brighter version of the subject and shows Picasso moving towards the spectacularly bright still-life of 8 April entitled Cafetière et Chandelier, now in the Musée Nationale d'Art Moderne, Paris. The cafetière and coffee cup here serve as the focal point for the composition of the later picture.

The painting was acquired by an important early twentieth century Swedish collector, probably from Svensk-Franska Galleriet who acted as Louise Leiris's agent in Stockholm, and remained in the same family until the present owner purchased it in 1993.

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