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Lot Essay
This work is sold with a photo-certificate from the Comité Chagall, Paris, numbered No 99 077 and dated Saint-Paul, le 26 Février 1999.
Filled with exuberant detail, Chagall's L'atelier shows the artist in the process of painting one of his celebrated still life paintings of flowers, and is an enchanting and intriguing window into his life, and also his mind. Here, we see the swirling powers of inspiration, themselves almost intoxicating, peopling the studio. The artist shown is undoubtedly intended to represent Chagall himself, and L'atelier is a lyrical invitation into his unique world.
As is clear in this image, the process of artistic creation in much of Chagall's work involved poetry, possession, but most of all, of fun. The figures surrounding the artist are those from his own work, the almost mythological cast of creatures and characters that appear in some of his greatest pictures. There are elements of love, of the circus, and of the magical. These characters are not confined to other pictures in the studio, but are instead the rapturous visions come alive of an artist in the process of making art. The intense facial expression of the artist in L'atelier is a combination of happiness and extreme concentration. With the contrast between the relatively terrestrial subject of the picture-within-a-picture and the phantasmagoria of the studio, Chagall reveals the depth of feeling with which he creates every work. Like old images of St. Luke painting the Madonna, we see the angels whispering in his ear, guiding his hand, and lending him inspiration. This is therefore an intimate and personal reflection of Chagall on the process of inspiration, showing the artist as he ponders his Muse.
Filled with exuberant detail, Chagall's L'atelier shows the artist in the process of painting one of his celebrated still life paintings of flowers, and is an enchanting and intriguing window into his life, and also his mind. Here, we see the swirling powers of inspiration, themselves almost intoxicating, peopling the studio. The artist shown is undoubtedly intended to represent Chagall himself, and L'atelier is a lyrical invitation into his unique world.
As is clear in this image, the process of artistic creation in much of Chagall's work involved poetry, possession, but most of all, of fun. The figures surrounding the artist are those from his own work, the almost mythological cast of creatures and characters that appear in some of his greatest pictures. There are elements of love, of the circus, and of the magical. These characters are not confined to other pictures in the studio, but are instead the rapturous visions come alive of an artist in the process of making art. The intense facial expression of the artist in L'atelier is a combination of happiness and extreme concentration. With the contrast between the relatively terrestrial subject of the picture-within-a-picture and the phantasmagoria of the studio, Chagall reveals the depth of feeling with which he creates every work. Like old images of St. Luke painting the Madonna, we see the angels whispering in his ear, guiding his hand, and lending him inspiration. This is therefore an intimate and personal reflection of Chagall on the process of inspiration, showing the artist as he ponders his Muse.