Lot Essay
Conrad Felixmüller had great interest in the poor and the depiction of their living conditions. In the present work, as well as in the oil painting Herbstabend Klotzsche (S 267, Private collection; fig. 1), the artist cast his figures against Klotzsche, a Dresden suburb where he was living at the time, and which epitomised the harshness of industrialised Germany in the 1920s.