A GEORGE V ENAMEL AND SILVER-MOUNTED WOOD MAZER BOWL
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A GEORGE V ENAMEL AND SILVER-MOUNTED WOOD MAZER BOWL

MARK OF OMAR RAMSDEN, LONDON, 1927

Details
A GEORGE V ENAMEL AND SILVER-MOUNTED WOOD MAZER BOWL
MARK OF OMAR RAMSDEN, LONDON, 1927
Of circular section, the rim with a flaring silver mount, decorated with leaf motifs, the conforming foot with a twisted wire motif, the centre set with a boss decorated with a red enamel heightened maiden, marked on rim, under foot and on side of boss, the base further engraved 'OMAR RAMSDEN ME FECIT'
9¼ in. (23.5 cm.) diameter
Provenance
Anonymous sale; Phillips, London, 9 October 1992, lot 77
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

While design elements like crenellated borders, Tudor roses and hammered finishes are the elements most associated with Ramsden's work, it is the mazer bowl, of which the Campbell collection has several examples, that is the one object, if any, which is perhaps most associated with his work.

Ramsden is said, as quoted by Leslie Durbin, op. cit. page 56, to have personally treated the mazer bowls when they were returned to the shop after having been turned by Rogers and Co. The wood was exposed to a gas flame jet to char the surface, inside and out. While still hot Ramsden would rub beeswax into the surface of the wood. Only once the bowls had cooled would Ramsden trust them to be handled by anyone else, turning them over to a workman to be polished.

Perhaps deriving its name from the German másá, meaning 'a spot', in reference to the grain of the maple that was most often used to make them, the mazer is a traditional form of drinking vessel. English silver-mounted examples from the 14th to the 16th century are known and indeed there are several examples in the collection of the Victoria and Albert Museum which Ramsden would no doubt have seen on his visits there.

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