A VERY RARE FAMILLE ROSE ENAMELED CARVED GLASS SNUFF BOTTLE
A VERY RARE FAMILLE ROSE ENAMELED CARVED GLASS SNUFF BOTTLE

IMPERIAL, THE PALACE WORKSHOPS, BEIJING, 1770-1799

Details
A VERY RARE FAMILLE ROSE ENAMELED CARVED GLASS SNUFF BOTTLE
IMPERIAL, THE PALACE WORKSHOPS, BEIJING, 1770-1799
Well carved in relief with the main design elements and painted in bright enamels to complete the subject of two egrets amidst flowering lotus plants and grass, the foot inscribed in iron-red Guyue Xuan, 'Ancient Moon Pavilion', stopper
2 3/8 in. (6.05 cm.) high
Provenance
Gerry Mack (New York, 1979)
Literature
JICSBS, Autumn 1986, front cover
100 Selected Chinese Snuff Bottles from the J & J Collection, front cover and no. 55
JICSBS, Autumn 1989, front cover
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 1, no. 203
The Art of the Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 80
Exhibited
Christie's London, October 1987
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

The imagery of the paired egrets, like that of other paired birds, is symbolic of marital harmony or fidelity; while the lotus, one of the flowers of the four seasons, represents Summer.

This bottle is one of the finest examples of the classic Guyue Xuan carved-relief type. After the initial period of development of the Guyue Xuan style from the classic Qianlong Palace workshops style, there followed a period of crisp, confident and technically excellent wares of two main types: enamelling on the flat surface of a bottle, and, as represented by the present lot, enameling added to enhance and complete a partial relief design. The carved group most probably evolved from the earlier group with only enameled decoration. This evolution occurred between 1767 and 1799. Another common feature of top-quality relief Guyue Xuan works is that they have mostly dispensed with neck borders, allowing for more obvious incorporation of white space into the design. By discarding with the borders and panels around the main subjects, the design became all the more powerful.

Compare the present bottle with another from this group, sold in our Hong Kong Rooms, The J & J Collection, Part 1, 25 April 2004, lot 820, where it achieved a world auction record.

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