Details
AN UNUSUAL WHITE JADE SNUFF BOTTLE
PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1760-1830

Well carved from stone of even white tone, as a compressed vase with floral handles set above angled shoulders, raised on an integral stand shaped as a duck, the foot formed by the webbed feet of the duck, stopper
2 1/4 in. (5.72 cm.) high
Provenance
Eric Young
Sotheby's London, 13 October 1987, lot 133
Literature
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 1, no. 12
Arts of Asia, November/December 1995, vol. 25, no. 6, p. 127
The Art of the Chinese Snuff Bottle, Poly Art Museum, Beijing, p. 16
Exhibited
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

Lot Essay

Only one other bottle of similar material, subject and style, and most likely from the same workshop that made the present lot, is recorded, advertised by Ralph M. Chait Galleries (see Chinese Snuff Bottles No. 1, p. 9). Although the vase is of a different miniaturized form, it is set into an integral stand in the shape of a duck that is very similar in style to that on the present bottle.

The form of these bottles could be related to the jade carvings of elephants carrying vases on their backs. However, the uniqueness and novelty of the subject-matter on the 'duck and vase' snuff bottles suggest that the present lot was made as part of a drive during the eighteenth century to create innovative and interesting designs to please the Emperor.

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