A FINELY-CARVED AMBER-BROWN GLASS BOTTLE
A FINELY-CARVED AMBER-BROWN GLASS BOTTLE

PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1730-1780

細節
A FINELY-CARVED AMBER-BROWN GLASS BOTTLE
PROBABLY IMPERIAL, ATTRIBUTED TO THE PALACE WORKSHOPS, BEIJING, 1730-1780
Carved with a continuous design of four chi dragons, two disposed on each side, forming a roughly circular medallion, the tails from one beast on each side curling beneath the base to form the footrim, stopper
2¼ in. (5.7 cm.) high
來源
Colonel Kedzior
Sotheby's London, 28 April 1987, lot 761
出版
JICSBS, Autumn 1989, p. 19, fig. 2
Moss et. al., The Art of the Chinese Snuff Bottle, The J&J Collection, vol. 2, NO. 369
展覽
Christie's New York, 1993
Empress Place Museum, Singapore, 1994
Museum fur Kunsthandwerk, Frankfurt, 1996-1997
Percival David Foundation of Chinese Art, London, 1997
Naples Museum of Art, Florida, 2002
Portland Museum of Art, Oregon, 2002
National Museum of History, Taipei, 2002
International Asian Art Fair, Seventh Regiment Armory, New York, 2003
Poly Art Museum, Beijing, 2003

拍品專文

The Yongzheng Palace Archives mention 'amber [glass] cups with carved decoration' (see Yang Boda, 'A Brief Account of Qing Dynasty Glass', Chinese Glass of the Ch'ing Dynasty 1644-1911, The Robert H. Clague Collection, p. 78). There is evidence that the present glass bottle was made in imitation of amber, when compared with another snuff bottle in the J&J Collection with similar carved decoration but made of amber, illustrated by Moss et. al., The Art of the Chinese Snuff Bottle, Vol. 2, no. 294.

The 18th-century court took pleasure in all things novel, which included the concept of teasing the eye by recreating objects in other media. Because of the versatility of glass as a material and the multitude of colors that were easily produced, it was often used to simulate other material such as jade, jadeite, colored hardstones, realgar and amber, among others.