MAN RAY (1890-1976)
MAN RAY (1890-1976)

La Prière, 1930

Details
MAN RAY (1890-1976)
La Prière, 1930
gelatin silver print, printed after 1951
signed and dated in pencil (on the recto); 'rue Campagne Première' credit stamp (on the verso)
9½ x 7 1/8in. (24.1 x 18.1cm.)
Provenance
Gerard Levy, Paris;
to a Private Collection, California;
to a Private Collection, New York
Literature
Janus, Man Ray, Galerie Alexandre Iolas, 1974, p. 63; Foresta, et al., Perpetual Motif: The Art of Man Ray, National Museum of American Art/Abbeville Press, 1988, fig. 190, p. 216; de L'Ecotais & Sayag, eds., Man Ray: La Photographie à l'envers, Centre Georges Pompidou/Seuil, 1998, p. 164, enlarged contact on p. 165; and Ware, In Focus: Man Ray, J. Paul Getty Museum, 1998, pl. 27, p. 61
Exhibited
The History of Photography from California Collections, San Francisco Museum of Modern Art, 1989

Lot Essay

Man Ray loved to play with ambiguity in imagery and in language. He had a fine appreciation for argot and jeux de mots. A literal translation of the title is The Prayer but it also means 'the invitation.' An old slang meaning is 'to reveal where the money is hidden.' The pose is at once submissive and erotic, yet the placement of the hands suggest prayer and chastity. The disembodiment achieved through the lighting and framing heighten the mysterious aura of the sacred and profane.

This print has a 'rue Campagne-Première' stamp on the back which was his address in the 1920s, however, this print was made after 1951. It was not uncommon for Man Ray or his assistant to use a stamp identifying an old address. In 1970, Man Ray made prints of this negative in an edition of eight. This print was most probably made before that time.

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